What's On
Jim Queen
When far-right activists infect gay influencer Jim Queen with a drug that turns him straight, he must join forces with a closeted follower to cure his ailment. Jim Queen is a film unafraid to skewer gay “body fascism” and bigoted conservatism alike.
9 Temples to Heaven
A middle-aged businessman leads his family on a one-day religious pilgrimage in the hopes of extending his sickly mother's life. Along the way, conflict brews, painful realizations unfold, and the film transforms into a meditation of faith, love, and duty.
Fugs Film!
Originating as a group of New York beatniks, The Fugs' taboo-embracing contempt for social norms made them one of the strangest bands of the 1960s. Fugs Film! is a raucous, irreverent celebration of rebellion, poetry, and counterculture legacy.
Daughters of the Forest
An immersive sci-fi documentary, Daughters of the Forest follows two Indigenous mycologists who are bridging modern science and visual storytelling to preserve Mexico’s fungi and forests.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes.
Yo (Love Is a Rebellious Bird)
Winner of the Silver Bear for Outstanding Artistic Contribution at this year's Berlinale, Anna Fitch and Banker White’s exuberant documentary combines vérité interviews with a playful mix of puppetry, collage, and insect actors to memorialize a friend.
Image: © Mirabel Pictures
Species
Species follows Margot, a young doctor who wakes covered in blood as the pressures of a demanding French ER take a physical toll. As lesions spread across her body, workplace burnout transforms into skin-tearing body horror.
Image: © ARP Sélection Trésor Films Windy Production
Short Forum 9: Big Time Sensuality
Explorations of desire and intimacy serve both pain and pleasure.
Kikuyu Land
Kikuyu Land follows Mr. Mungai’s struggle to reclaim family land taken during the colonial era. Through personal stories and archival research, the film explores the enduring impact of land dispossession in Kenya.
No Good Men
Naru, the sole camerawoman at a major Kabul newsroom, is convinced that there are “no good men” left in Afghanistan. But partnered with the station’s star reporter in the leadup to the Taliban’s return to power in 2021, her outlook starts to shift.