What's On
Woman in the Dunes (35mm)
Teshigahara's collaboration with novelist Kōbō Abe's is vividly strange, erotic and unsettling allegory about an amateur entymologist who is himself ensnared in a trap he only dimly understands.
Checkpoint Zoo
The amazing true story of the rescue of thousands of animals trapped on the frontline at an Ecopark when Russia invades Ukraine in 2022.
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
You Are Not My Mother
One of the best horror films of recent years, from anywhere, Kate Dolan's film finds a chilling angle on a mother-daughter relationship.
Film Studies: The Making of a Monster: James Whale's Frankenstein & Universal Horror
Classic film scholar Michael van den Bos dissects and examines director James Whale's highly influential first sound version of Frankenstein, starring Boris Karloff and Colin Clive. After his illustrated lecture we'll watch the movie together.
Bride of Frankenstein
Funnier, more outrageous, and just as goth as the 1931 hit, this is a black comedy about mad scientists playing god, the monstrous craving for a mate, about the ultimate male-order bride, and her indelible response to being married off to a mouldier man.
An Taibhse (The Ghost)
A winter caretaker and his troubled teenage daughter take up residence in a remote country mansion in this harrowing mid-19th century Irish makeover of The Shining.
James Whale's Frankenstein (1931)
"It's alive!" Nearly a century later this iconic take on Mary Shelley's novel still kicks: the production design is impressive, Whale's lean, angular direction has plenty of snap, and Boris Karloff imbues the monster with no little pathos.
After Life
This month's Talking Pictures title is a profoundly beautiful meditation on memory and happiness from Japan, the second feature film by the acclaimed writer-director Hirokazu Kore-eda.
The Outcasts
One of earliest examples of "folk horror", The Outcasts (1982) draws on Irish mythology and folktales to eerie effect. Simple Maura is rumoured to have spent the night with the mythical fiddler Scarf Michael, with dire consequences for all... Screening followed by a panel discussion on Irish horror.