The Ascent

During the darkest winter of WWII, two Soviet partisans venture through the backwoods of Belarus in search of food, always at risk of falling into enemy hands. In her masterpiece Larisa Shepitko zeroes in on profound spiritual and philosophical themes.

De Sica's film about a labourer desperate to track down the bike that has been stolen from him is a landmark in film history, the movie that cemented the impact of Italian neo-realism on world cinema.

RW Fassbinder's lop-sided love story (60 year old German widow and a Moroccan twenty years her junior) shines an unflattering light on social hypocrisies.

Ritwik Ghatak is the unsung genius of Bengali cinema. His best known film is a a brilliantly structured melodrama about the terrible demands of poverty and family on the prospects of a young woman.

Céline Sciamma's queer costume drama -- about a painter covertly studying a young noblewoman who refuses to sit for her portrait -- was voted 30th Greatest Film Ever Made in a 2022 poll, the highest ranking film of the past decade.

Infused with a palpable love for the country and a righteous anger at the injustices of the Batista era, I Am Cuba features some of the jaw-dropping camerawork ever filmed. A euphoric celebration of Cuba, the Revolution, and revolutionary cinema.

Teshigahara's collaboration with novelist Kōbō Abe's is vividly strange, erotic and unsettling allegory about an amateur entymologist who is himself ensnared in a trap he only dimly understands.

This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.

Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.

Image: © Disney, 1940