The Ascent

Jacques Tati was modernity's clown; technology his banana skin. Here his alter-ego Monsieur Hulot navigates a sterile Paris that seems designed to thwart his every wish.

South Korean master filmmaker Bong Joon Ho delivers an unpredictable comic suspense thriller with his Palme d'Or and Academy Award-winning film, Parasite -- which cracked the top 100 in Sight & Sound's Greatest Films list in 2022.

The crowning glory of classical French cinema, this sumptuous melodrama brings to life the early 19th century Boulevard du Crime in Paris, where popular audiences for mime shows and carnival rub shoulders with wealthy patrons of classical theatre.

The Mexico/Texas borderlands, 1913: Pike (William Holden) leads his gang of aging outlaws on a foray south for one last hurrah. Peckinpah's masterpiece, a savage lament for men who believe in nothing but find respect by dying in vain.

During the darkest winter of WWII, two Soviet partisans venture through the backwoods of Belarus in search of food, always at risk of falling into enemy hands. In her masterpiece Larisa Shepitko zeroes in on profound spiritual and philosophical themes.

De Sica's film about a labourer desperate to track down the bike that has been stolen from him is a landmark in film history, the movie that cemented the impact of Italian neo-realism on world cinema.

RW Fassbinder's lop-sided love story (60 year old German widow and a Moroccan twenty years her junior) shines an unflattering light on social hypocrisies.

Ritwik Ghatak is the unsung genius of Bengali cinema. His best known film is a a brilliantly structured melodrama about the terrible demands of poverty and family on the prospects of a young woman.

Céline Sciamma's queer costume drama -- about a painter covertly studying a young noblewoman who refuses to sit for her portrait -- was voted 30th Greatest Film Ever Made in a 2022 poll, the highest ranking film of the past decade.

Infused with a palpable love for the country and a righteous anger at the injustices of the Batista era, I Am Cuba features some of the jaw-dropping camerawork ever filmed. A euphoric celebration of Cuba, the Revolution, and revolutionary cinema.

Teshigahara's collaboration with novelist Kōbō Abe's is vividly strange, erotic and unsettling allegory about an amateur entymologist who is himself ensnared in a trap he only dimly understands.

This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.