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The Leopard film image; man kissing a woman's hand

The Leopard

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Count Don Luchino Visconti di Modrone was born into one of the oldest families in Italy, 1906. His family crest — a serpent devouring a baby — adorned the very pillars of Milanese society; even the Cathedral was founded by a Visconti. He grew up in a castle surrounded by a medieval village, the feudal idyll restored by his father, who had fortified himself by marrying the Erbe fortune.

In other words, this lifelong Communist and pioneer of neo-realism was ideally suited to film Lampedusa’s elegiac account of a nineteenth century Sicilian aristocrat, Prince Salina (Burt Lancaster) fading into history. The first half shows us social upheaval through sweeping martial conflict, but the second half of this stately three hour film takes place at the Prince’s summer retreat, and principally concerns marital arrangements for his nephew Tancredi (Alain Delon) to the nouveau riche bourgeois Angelica (Claudia Cardinale), ultimately a more radical change.

Visconti’s fetishistic attention to detail extended to the embroidered silk handkerchief tucked away out of sight in Angelica’s purse. This is one of the most beautiful films ever made, but it’s also profoundly resonant. This is where Coppola and Cimino found the tempo for wedding scenes in The Godfather and The Deer Hunter.

Sunday’s Pantheon screening will feature a 15-minute introduction by a local film scholar and be followed by an audience talkback.

The greatest film of its kind made since World War II — its only rivals are Kubrick’s Barry Lyndon and Visconti’s own Senso.

J Hoberman, Village Voice

The film’s superb first two hours, which weave social and historical themes into rich personal drama, turn out to be only a prelude to the magnificent final hour — an extended ballroom sequence that leaves history behind to become one of the most moving meditations on individual mortality in the history of the cinema.

Dave Kehr, Chicago Reader

Miraculous and emotionally devastating.

Roger Ebert

Director

Luchino Visconti

Cast

Burt Lancaster, Claudia Cardinale, Alain Delon, Pierre Clementi, Rina Morelli

Credits
Country of Origin

Italy

Year

1963

Language

In Italian with English subtitles

19+
185 min

Book Tickets

Sunday June 21

11:00 am
Guests/Q&As Hearing Assistance Subtitles
VIFF Centre - VIFF Cinema
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Tuesday June 23

7:00 pm
Hearing Assistance Subtitles
VIFF Centre - VIFF Cinema
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Credits

Screenwriter

Suso Cecchi D’Amico, Enrico Medioli, Pasquale Festa Campanile, Massimo Franciosa, Luchino Visconti

Cinematography

Giuseppe Rotunno

Editor

Mario Serandrei

Original Music

Nino Rota

Art Director

Mario Garbuglia

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