Critics have called the prolific French writer Florian Zeller “the most exciting playwright of our times,” and his second film as writer-director confirms that he’s equally adept when it comes to cinema. Despite Anthony Hopkins’ Academy Award for Best Actor, The Father didn’t find the audience it should have (its release coincided with COVID-19). His follow-up, adapted from the play of the same name by Zeller’s regular English translator, Christopher Hampton, is as sharp, insightful, and devastating. Teenager Nicolas (Zen McGrath) is suffering from depression and has stopped going to school. It’s so bad, his mom Kate (Laura Dern) hands him over to his father, Peter (Hugh Jackman), who is celebrating a baby with his new wife, Beth (Vanessa Kirby). Perhaps a stepbrother will raise Nic’s spirits? Peter vows to do everything he can to help—but Nic descends still further.
As in The Father, Zeller uses the subjectivity of the camera to access mental spaces that seem impenetrable from the outside. There are no easy answers here, but the film’s emotional pull is direct and undeniable.
Presented by
Florian Zeller
Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath, Hugh Quarshie, Anthony Hopkins
UK
2022
English
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Ned Rifle
Hal Hartley's 2014 feature is a spirited indie about a young Christian tracking down his father, who believes he might be the devil. He's joined by Aubrey Plaza's grad student, Susan, who has her own bone to pick with the notorious Henry Fool...
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
Credits
Executive Producer
Simon Gillis, Philippe Carcassonne, Hugh Jackman, Daniel Battsek, Ollie Madden, Lauren Dark, Peter Touche, Christelle Conan, Hugo Grumbar, Tim Haslam
Producer
Joanna Laurie, Iain Canning, Emile Sherman, Florian Zeller, Christophe Spadone
Screenwriter
Christopher Hampton, Florian Zeller
Cinematography
Ben Smithard
Editor
Yorgos Lamprinos
Production Design
Simon Bowles
Original Music
Hans Zimmer