Critics have called the prolific French writer Florian Zeller “the most exciting playwright of our times,” and his second film as writer-director confirms that he’s equally adept when it comes to cinema. Despite Anthony Hopkins’ Academy Award for Best Actor, The Father didn’t find the audience it should have (its release coincided with COVID-19). His follow-up, adapted from the play of the same name by Zeller’s regular English translator, Christopher Hampton, is as sharp, insightful, and devastating. Teenager Nicolas (Zen McGrath) is suffering from depression and has stopped going to school. It’s so bad, his mom Kate (Laura Dern) hands him over to his father, Peter (Hugh Jackman), who is celebrating a baby with his new wife, Beth (Vanessa Kirby). Perhaps a stepbrother will raise Nic’s spirits? Peter vows to do everything he can to help—but Nic descends still further.
As in The Father, Zeller uses the subjectivity of the camera to access mental spaces that seem impenetrable from the outside. There are no easy answers here, but the film’s emotional pull is direct and undeniable.
Presented by
Florian Zeller
Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath, Hugh Quarshie, Anthony Hopkins
UK
2022
English
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Our Premium Pick series invites out Premium members to turn their hands to programming. This month's film was suggested by Steven Savitt, who says Dr Strangelove is "as funny as ever, but even more terrifying."
Credits
Executive Producer
Simon Gillis, Philippe Carcassonne, Hugh Jackman, Daniel Battsek, Ollie Madden, Lauren Dark, Peter Touche, Christelle Conan, Hugo Grumbar, Tim Haslam
Producer
Joanna Laurie, Iain Canning, Emile Sherman, Florian Zeller, Christophe Spadone
Screenwriter
Christopher Hampton, Florian Zeller
Cinematography
Ben Smithard
Editor
Yorgos Lamprinos
Production Design
Simon Bowles
Original Music
Hans Zimmer