Sometimes the simplest things in life are also the most profound. Such was the philosophy of Japanese filmmaker Yasujiro Ozu, who dedicated himself to examining family relationships in almost all of his 50 films. Although generational conflict is his most obsessive theme, Ozu’s scenarios shy away from melodrama to focus on mundane patterns of behaviour. And it’s in these delicately observed patterns that we recognize ourselves.
Tokyo Story follows an aging couple (played by Chishu Ryu and Chieko Higashiyama) as they come to the city and make the rounds of their now grown children. Busy with their own lives, the children have little time or patience for their parents, who are quickly packed off to hot springs in Osaka. Then the mother, Tomi, falls ill…
The world is a better place for Ozu’s quiet, contemplative compassion, and Tokyo Story is the best introduction to his work. The most celebrated film from Japan’s most poignant domestic filmmaker, and an influence on everyone from Claire Denis to Doris Dorrie and Wim Wenders, 1953’s Tokyo Story is a regular fixture in lists of the best films ever made and came in fourth in the latest iteration of Sight and Sound’s poll.
Sunday’s screening in our PANTHEON series will feature free refreshments and a short introduction by an expert in the field.
Introduced by Su-Anne Yeo, who researches and teaches in the areas of film studies, media studies, and cultural studies, with a specialization in Asian and Asian diasporic screen cultures at UBC and Emily Carr.
Yasujirō Ozu
Chishu Ryu, Chieko Higashiyama, Setsuko Hara, Kyōko Kagawa, Haruko Sugimura, So Yamamura
Japan
1953
In Japanese with English subtitles
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Credits
Producer
Takeshi Yamamoto
Screenwriter
Kōgo Noda, Yasujirō Ozu
Cinematography
Yūharu Atsuta
Editor
Yoshiyasu Hamamura
Original Music
Takanobu Saitō
Also in This Series
The greatest films of all time.
Fantasia
Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.
Image: © Disney, 1940
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
Antonia's Line
This month's Pantheon selection spotlights the first woman to win the Academy Award for Best Foreign Language Film, the Dutch feminist filmmaker Marleen Gorris, and her charming, vibrant tale of an emancipated farmer who refuses to conform.
Sansho the Bailiff
The third of the great Japanese masters (with Ozu and Kurosawa), Mizoguchi is a poet of suffering. There's plenty of that here in his exquisite telling of an ancient folktale about the enslavement of a woman and her two children.
The Leopard
Lampedusa's elegiac account of a 19th century Sicilian aristocrat, Prince Salina, fading into history is one of the pinnacles of Italian cinema, an epic which influenced the tempo and gravitas of The Godfather, Age of Innocence and The Deer Hunter.
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Day of Wrath
Anna, the young second wife of a well-respected but much older pastor, falls in love with her stepson when he returns to their small seventeenth-century village. Stepping outside the bounds of the village's harsh moral code has disastrous results.
