Two construction workers wander through a hybrid natural-industrial zone by day and night, exploring and discovering seemingly insignificant details. This experimental film is a walking tour through a possibly post-apocalyptic world where the familiar seems alien, invoking a sense of mystery and wonder towards the natural world and our relationship to it. It is a slow, totally visual work with phantasmic nighttime sequences and attention to the tactile (a piece of shale, moss, a shell) as the two men touch, feel, and listen to the world around them. Unsettling and eerie at times, the film never explicitly answers any questions, yet their journey is oddly compelling. With an atmosphere reminiscent of Tarkovsky’s Stalker, the film forces us to find our own interpretations of their explorations.
Community Partner
Luca Ruch, Olivier Matthey
Switzerland
2021
In French with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
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Nasty
1972. Ilie Năstase wins his first US Open, while reaching both the Wimbledon and Davis Cup finals, and enters tennis history. Nasty explores his highs and lows, the controversies that surrounded the 1973 world number one ranked player.
Meadowlarks
Fifty years after being separated during the Sixties Scoop, four Cree siblings reunite for the first time on a long weekend trip to Banff. Tasha Hubbard’s sensitive drama relates an emotional and life-affirming story of kinship and belonging.
The Baltimorons
An early Xmas present and the rom-com of the year: a dental emergency on Christmas Eve brings together flailing comedian Chris and cynical divorcee Didi for a series of low-key urban misadventures.
Cover-Up
Oscar-winner Laura Poitras and Emmy-winner Mark Obenhaus turn their lens on legendary journalist Seymour Hersh in a riveting film that unpacks how one reporter exposed the truths behind My Lai and Abu Ghraib — and what it takes to hold power to account.
Image: © The New York Times
Credits
Producer
Delphine Jeanneret
Screenwriter
Andrea Bordoli
Cinematography
Andrea Bordoli
Editor
Andrea Bordoli, Noemie Ruben
Original Music
Marco Guglielmetti, Andrea Bordoli
Director
Andrea Bordoli
Andrea Bordoli’s research and practice lies at the intersection between anthropological theory, film, and visual art. His works have been presented in academic settings and exhibited in film festivals and art spaces nationally and internationally. He is currently pursuing a research-creation PhD in Media Anthropology at the University of Bern, Switzerland. Since January 2022, he has been a visiting artist-researcher in the Anthropology Department of McGill University.