Canadian Premiere
In Cairo, a lonesome, impoverished elderly property guard whose name no one seems to remember (played by the distinguished Sayed Ragab) spends his days enjoying old-fashioned Egyptian hits on the radio, caring for stray cats and dogs, and watching over the same run-down villa he has been tending to for the past forty years, even though its affluent owners have vacated long ago. His peaceful, orderly little world is turned upside down when an opportunistic parking attendant newly released from prison, Nasr (Ahmed Khaled Saleh, in turns brutal and vulnerable) bullies his way into occupying the property– drawing our nameless protagonist’s fears and sorrows to the surface. With no recourse to seek help from the police, the old guard and his feisty daughter Yara (Nahed El Sebaï) take matters into their own hands. Anchored to the villa’s decaying splendor with a compellingly classical play-like story structure, this sixth feature from acclaimed writer-director Ahmad Abdalla (Décor) provides a keen reflection on class issues, fear, and isolation in modern Egypt.
Best Arab Film, Cinematography, International Critics’ Prize, Cairo Film Festival 2022
Community Partner
Sayed Ragab, Ahmed Khaled Saleh and Nahed El Sebai, Fadwa Abed, Magdy Atwan, Maher Khamis
Egypt
2022
Panorama
In Arabic with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Yara Goubran
Screenwriter
Ahmad Abdalla
Cinematography
Mustafa El Kashef
Editor
Sara Abdallah
Original Music
Youssef Sadek
Director
Ahmad Abdalla
Ahmad Abdalla is a critically acclaimed and award-winning Egyptian filmmaker. He directed his first feature film, Heliopolis in 2009, followed by the award-winning film, Microphone, which was selected at the Dubai International Film Festival (DIFF) as one of the best 100 Arabic films in history, and toured several film festivals around the world, reaping more than 20 international awards. His film EXT/Night won the Best Film Award at the Malmo Arab Film Festival (MAFF), the Jury Award at the Luxor International Film Festival, alongside four other awards at the Egyptian National Film Festival. Abdalla was also selected as a jury member in a number of prestigious film festivals including the Carthage Film Festival in 2012, BFI London Film Festival in 2014, and Dubai International Film Festival in 2017.
Filmography: Heliopolis (2009); Microphone (2010); Rags and Tatters (2013); Décor (2014); Leil Khargi (2018)
Missing VIFF? Check out what's playing at the VIFF Centre
Kikuyu Land
Kikuyu Land follows Mr. Mungai’s struggle to reclaim family land taken during the colonial era. Through personal stories and archival research, the film explores the enduring impact of land dispossession in Kenya.
Crocodile
In Crocodile, a group of young, self-taught filmmakers turn Kaduna's streets, homes, and residents into the raw materials of sci-fi cinema. This Tribeca Viewpoints winner examines filmmaking as a means to overcome a city's constraints.
The Only Living Pickpocket in New York
A career thief’s circumstances grow desperate when he fences valuable merchandise stolen from a vengeful crime family. John Turturro is exquisite as a wiseacre who is typically one step ahead of everyone but now finds himself behind the eight ball.
Yo (Love Is a Rebellious Bird)
Winner of the Silver Bear for Outstanding Artistic Contribution at this year's Berlinale, Anna Fitch and Banker White’s exuberant documentary combines vérité interviews with a playful mix of puppetry, collage, and insect actors to memorialize a friend.
Image: © Mirabel Pictures
Ceremony
Powerful and evocative, Ceremony follows the disappearance of the ooligan in Bella Coola, revealing a story of cultural survival, environmental stewardship, and the enduring relationship between the Nuxalk Nation and the land.
No Good Men
Naru, the sole camerawoman at a major Kabul newsroom, is convinced that there are “no good men” left in Afghanistan. But partnered with the station’s star reporter in the leadup to the Taliban’s return to power in 2021, her outlook starts to shift.