Canadian Premiere
Based on actual events, Lawrence Kan’s film stars Jennifer Yu as a journalist investigating abuse in a Hong Kong care home. Kay (Yu) is a determined but cynical protagonist: years of reporting have honed her instincts and worn down her idealism. Posing as a senile resident’s relative, she gathers evidence of fraud, falsification, neglect, beatings, and more at the private care facility; the victims include not only the elderly but also youths with physical and mental disabilities. In Broad Daylight is a work of righteous anger—and, like any good moralist, Kan is brave enough to tackle the harder questions along with the clear outrages. As the story progresses, the web of guilt widens to encompass not only the care home’s owners and staff but also government bureaucracy; the criminal justice system; the media establishment; and, ultimately, the citizenry itself. This is a film without scapegoats, without cop-outs, without easy answers; on top of vivid characters, strong dramatic momentum, and powerful empathy, it offers a resounding moral challenge to us all.
October 5 & 7: Q&A with director Lawrence Kan
Supported by
David Chiang, Jennifer Yu, Bowie Lam, Leung Chung Hang, Chan Charm Man Peter
Hong Kong
2023
Panorama
In Cantonese with English subtitles
Book Tickets
Indigenous & Community Access
Credits
Executive Producer
Lee Yee man, Li Chung Wa
Producer
Derek yee
Screenwriter
Lawrence Kan, Fung Li, Tong Chui Ping
Cinematography
Meteor Cheung
Editor
Lo Wai Lun
Production Design
Albert Poon
Original Music
Wan Pin Chu
Director
Lawrence Kan
Lawrence Kan graduated from Vancouver Film School. His first film, When C Goes with G7 (2013), was selected for the “Hong Kong First” section of Hong Kong Asian Film Festival in 2013. In 2021, he directed his first TV series In Geek We Trust, whose lead actors were nominated for Best Rising Star and Best Supporting Actor, respectively. At Busan International Film Festival’s Asia Contents Award.
Filmography: When C Goes With G7 (2013)
Missing VIFF? Check out what's playing at the VIFF Centre
Misericordia
Edgy, eccentric, and unapologetically queer, this film goes from drama to comedy without putting a foot wrong. Sex and murder are the subjects, and writer-director Alain Guiraudie (Stranger by the Lake) mines them for suspense and outrageous laughs.
There's Still Tomorrow
A critical and box office sensation in Italy, Paola Cortellesi's triumphant directorial debut is the tale of a Roman housewife in 1946, who stands up against the routine sexist abuse she suffers. Funny, heartbreaking and inspiring.
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.
No Other Land
Deemed by many critics one of the essential films of 2024, a multiple festival award winner and Academy Award winner for Best Documentary, No Other Land is a reminder that mass expulsion is by no means a new reality for Palestinians.