
To locate one’s self, the desire to be seen and the need to hide one’s desires are in constant negotiation.
October 5 & 6: Q&A with the film teams
This short film program includes the following films:
Les Lavandières
Laura Kamugisha, QC (5 min)
In this visual essay strung along a clothesline, a narrator named Lavender tells the story of her mother, Jeanne, a Rwandese immigrant filled with hope.
Her Name Is Like a Sigh
Solara Thanh-Binh Dang, BC (17 min)
Ha, an overworked Vietnamese nail salon proprietor, reevaluates her life and marriage in an unexpected mid-life crisis prompted by a new customer.
Nigiqtuq (The South Wind)
Lindsay McIntyre, BC/AB (17 min)
An Inuit mother and daughter, Kumaa’naaq and Marguerite, must negotiate the pressures of assimilation after relocating to a new life in the South in the 1930s. Based on a true story.
Hair or No Hair
Janessa St. Pierre, BC (16 min)
Bel, a young black woman who has been hiding her Alopecia under wigs for years, is one day exposed publicly.
Cristo Negro
Paul Stavropoulos, Brendan Mills, ON (18 min)
History, religion, and colonialism collide with spiritual awakening, miracles, and poverty in Portobelo, Panama, where locals worship a black Jesus Christ. Culminating in the rapturous yearly festival, his most devout followers share how they came to their faith.
Sun, Moon and Four Peaks
Kevin Jin Kwan Kim, BC (15 min)
Two brothers, Minseo and Junho, are reunited in Vancouver after many years apart following their parents divorce in Korea.
Portrait of the Con Artist as a Young Man
Ryan Leedu, AB (8 min)
An aspiring con-artist works on his craft.
Silkworm
Amir Honarmand, BC (25 min)
Amin, an Iranian boy living in poverty during the pandemic, is gifted a stolen iPhone by his older brother. Not before long, the owner gets in touch.
Supported by
Community Partner
Various
Canada
2022-2023
VIFF Short Forum
Various with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Missing VIFF? Check out what's playing at the VIFF Centre
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.