Sex and money: they make the world go round and Sean Baker’s movies spin. Usually, there’s more of the former than the latter, in Tangerine, The Florida Project, and Red Rocket. And here again, Ani (Mikey Madison), a stripper, will trade what she has—which is sex—for what she needs—which is money. Enter Ivan (Mark Eydelshteyn), the guileless son of a Russian oligarch, who’s not just an easy mark, he’s richer than even Ani can dream of. These two meet and it’s fireworks and fairytales—cue a Vegas wedding—at least until his parents get wind of it. At which point, watch out, because Mr. Baker is just getting warmed up.
Greta Gerwig’s Cannes jury bestowed the Palme d’Or on this breathless modern Cinderella story, and it’s hard to remember a more entertaining winner. As always with Baker’s films, Anora comes on fast and funny but it’s unmistakably situated in the real world, a place where power typically trumps romance, but where you should never underestimate the survival skills of a woman with nothing to lose.
Palme d’Or, Cannes 2024
Media Partner
Community Partner
Mikey Madison, Mark Eydelshteyn, Karren Karagulian, Yura Borisov, Vache Tovmasyan
USA
2024
In English and Russian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Ken Meyer, Clay Pecorin, Glen Basner, Alison Cohen, Milan Popelka
Producer
Sean Baker, Alex Coco, Samantha Quan
Screenwriter
Sean Baker
Cinematography
Drew Daniels
Editor
Sean Baker
Production Design
Stephen Phelps
Sean Baker
Sean Baker is a writer, director, producer, and editor. His credits include Starlet (2012), Tangerine (2015), the Oscar-nominated The Florida Project (2017), and Red Rocket (2021). Anora (2024), which won the Palme d’Or at Cannes, is his latest film.
Filmography: Take Out (2004); Tangerine (2015); The Florida Project (2017); Red Rocket (2021)
Missing VIFF? Check Out What's Playing at the VIFF Centre
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.

