Sex and money: they make the world go round and Sean Baker’s movies spin. Usually, there’s more of the former than the latter, in Tangerine, The Florida Project, and Red Rocket. And here again, Ani (Mikey Madison), a stripper, will trade what she has—which is sex—for what she needs—which is money. Enter Ivan (Mark Eydelshteyn), the guileless son of a Russian oligarch, who’s not just an easy mark, he’s richer than even Ani can dream of. These two meet and it’s fireworks and fairytales—cue a Vegas wedding—at least until his parents get wind of it. At which point, watch out, because Mr. Baker is just getting warmed up.
Greta Gerwig’s Cannes jury bestowed the Palme d’Or on this breathless modern Cinderella story, and it’s hard to remember a more entertaining winner. As always with Baker’s films, Anora comes on fast and funny but it’s unmistakably situated in the real world, a place where power typically trumps romance, but where you should never underestimate the survival skills of a woman with nothing to lose.
Palme d’Or, Cannes 2024
Media Partner
Community Partner
Mikey Madison, Mark Eydelshteyn, Karren Karagulian, Yura Borisov, Vache Tovmasyan
USA
2024
In English and Russian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Ken Meyer, Clay Pecorin, Glen Basner, Alison Cohen, Milan Popelka
Producer
Sean Baker, Alex Coco, Samantha Quan
Screenwriter
Sean Baker
Cinematography
Drew Daniels
Editor
Sean Baker
Production Design
Stephen Phelps
Sean Baker
Sean Baker is a writer, director, producer, and editor. His credits include Starlet (2012), Tangerine (2015), the Oscar-nominated The Florida Project (2017), and Red Rocket (2021). Anora (2024), which won the Palme d’Or at Cannes, is his latest film.
Filmography: Take Out (2004); Tangerine (2015); The Florida Project (2017); Red Rocket (2021)
Missing VIFF? Check out what's playing at the VIFF Centre
A Cree Approach
Tristin Greyeyes embarks on a deeply personal journey to understand why Cree was not her first language, unraveling the story of her late grandmother, Freda Ahenakew. An intimate tribute and a call to action for the reclamation of language and identity.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Three Colours: Blue
The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.
