Inogen Hemmings, Audrey Williams
Australia/Portugal
2024
English
Dug & alcohol abuse
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Miguel de Jesus, Paulo Carneiro
Cinematography
Miguel de Jesus
Editor
Miguel de Jesus
Original Music
Gonçalo Barão da Cunha
Miguel de Jesus
Miguel de Jesus was born in Praia do Carvoeiro (Algarve) and grew up in Lisbon. He completed a Bachelor of Cinema in the editing department at the Lisbon Theatre and Film School (ESTC), and has worked with directors such as João Pedro Rodrigues, Fern Silva, Pia Borg and Paulo Carneiro. Cerro dos Pios (2019), his debut in directing, received the National Competition Jury Award at Doclisboa and the D.Quijote Award from the International Federation of Cineclubs at Caminhos do Cinema Português. His latest film, On Plains of Larger River & Woodlands (2024), has been shown at national
and international film festivals, such as IFFR Rotterdam, BAFICI, Indielisboa, Melbourne International Film Festival, etc.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.


