Moving into their new home, the members of the Payne family are saddled with considerable baggage. With legal trouble already looming due to her workplace misconduct, Rebekah (Lucy Liu) is called out by her husband Chris (Chris Sullivan) for the overt favouritism she bestows on their competitive, callous son Tyler (Eddy Maday). Meanwhile, daughter Chloe (Callina Liang) is left to languish in solitude as she grieves a close friend’s overdose death and questions the intentions of a new admirer (West Mulholland). With tensions simmering and melancholy assuming a stranglehold, things start to go bump in the night…
In this, his inspired first foray into ghost stories, the ever-innovative Steven Soderbergh shoots every scene from the perspective of a spectral interloper. As the camera glides through hallways, sweeps down staircases, and floats into bedrooms, a viewer is consumed by the eerie sensation of being disembodied. And as we join this phantasm in surveilling the Paynes, we come to understand what truly haunts us…
Supported by
Media Partner
Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, Julia Fox
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
David Koepp, Corey Bayes
Producer
Julie Anderson, Ken Meyer
Screenwriter
David Koepp
Cinematography
Peter Andrews
Editor
Mary Ann Bernard
Original Music
Zack Ryan
Steven Soderbergh
Steven Soderbergh is an American film producer, screenwriter, cinematographer, editor, and an Academy Award-winning film director. Born in Atlanta, Georgia, he gained recognition with his directorial debut, sex, lies, and videotape (1989), which won the Palme d’Or at Cannes. Later films include Kafka (1991), The Limey (1999), Erin Brockovich (2000), Traffic (2000) (Oscar, Best Director), Ocean’s Eleven (2001), Solaris (2002), and Magic Mike (2012).
Filmography: sex, lies, and videotape (1989); Erin Brockovich (2000); Traffic (2000); The Informant! (2009); The Laundromat (2019).
Missing VIFF? Check out what's playing at the VIFF Centre
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.
