Moving into their new home, the members of the Payne family are saddled with considerable baggage. With legal trouble already looming due to her workplace misconduct, Rebekah (Lucy Liu) is called out by her husband Chris (Chris Sullivan) for the overt favouritism she bestows on their competitive, callous son Tyler (Eddy Maday). Meanwhile, daughter Chloe (Callina Liang) is left to languish in solitude as she grieves a close friend’s overdose death and questions the intentions of a new admirer (West Mulholland). With tensions simmering and melancholy assuming a stranglehold, things start to go bump in the night…
In this, his inspired first foray into ghost stories, the ever-innovative Steven Soderbergh shoots every scene from the perspective of a spectral interloper. As the camera glides through hallways, sweeps down staircases, and floats into bedrooms, a viewer is consumed by the eerie sensation of being disembodied. And as we join this phantasm in surveilling the Paynes, we come to understand what truly haunts us…
Supported by
Media Partner
Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, Julia Fox
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
David Koepp, Corey Bayes
Producer
Julie Anderson, Ken Meyer
Screenwriter
David Koepp
Cinematography
Peter Andrews
Editor
Mary Ann Bernard
Original Music
Zack Ryan
Steven Soderbergh
Steven Soderbergh is an American film producer, screenwriter, cinematographer, editor, and an Academy Award-winning film director. Born in Atlanta, Georgia, he gained recognition with his directorial debut, sex, lies, and videotape (1989), which won the Palme d’Or at Cannes. Later films include Kafka (1991), The Limey (1999), Erin Brockovich (2000), Traffic (2000) (Oscar, Best Director), Ocean’s Eleven (2001), Solaris (2002), and Magic Mike (2012).
Filmography: sex, lies, and videotape (1989); Erin Brockovich (2000); Traffic (2000); The Informant! (2009); The Laundromat (2019).
Missing VIFF? Check out what's playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Short Forum 5: Somewhere Else
If space and time are pure perception, let’s build them differently.
Club Kid
A hedonistic New York club promoter gets an unexpected wake-up call when the 10-year-old son he never knew existed enters his life. Jordan Firstman’s charming, funny debut Club Kid is an offbeat story of parenthood, redemption, and unexpected bonds.
In Alaska
In Alaska follows Woody, an Inuk teen whose bullet pierces the Trans-Alaska Pipeline during a failed suicide attempt. Fleeing to Nunavut, he finds community and reconnects with the land and his Inuit roots, discovering what it means to be alive.
Elephants in the Fog
In a remote Nepalese village, Pirati takes charge in the search for a missing girl belonging to her family of third-gender Kinnar women. A densely atmospheric thriller and a moving portrait of an embattled but resilient community.