Moving into their new home, the members of the Payne family are saddled with considerable baggage. With legal trouble already looming due to her workplace misconduct, Rebekah (Lucy Liu) is called out by her husband Chris (Chris Sullivan) for the overt favouritism she bestows on their competitive, callous son Tyler (Eddy Maday). Meanwhile, daughter Chloe (Callina Liang) is left to languish in solitude as she grieves a close friend’s overdose death and questions the intentions of a new admirer (West Mulholland). With tensions simmering and melancholy assuming a stranglehold, things start to go bump in the night…
In this, his inspired first foray into ghost stories, the ever-innovative Steven Soderbergh shoots every scene from the perspective of a spectral interloper. As the camera glides through hallways, sweeps down staircases, and floats into bedrooms, a viewer is consumed by the eerie sensation of being disembodied. And as we join this phantasm in surveilling the Paynes, we come to understand what truly haunts us…
Supported by
Media Partner
Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, Julia Fox
USA
2024
English
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
David Koepp, Corey Bayes
Producer
Julie Anderson, Ken Meyer
Screenwriter
David Koepp
Cinematography
Peter Andrews
Editor
Mary Ann Bernard
Original Music
Zack Ryan
Steven Soderbergh
Steven Soderbergh is an American film producer, screenwriter, cinematographer, editor, and an Academy Award-winning film director. Born in Atlanta, Georgia, he gained recognition with his directorial debut, sex, lies, and videotape (1989), which won the Palme d’Or at Cannes. Later films include Kafka (1991), The Limey (1999), Erin Brockovich (2000), Traffic (2000) (Oscar, Best Director), Ocean’s Eleven (2001), Solaris (2002), and Magic Mike (2012).
Filmography: sex, lies, and videotape (1989); Erin Brockovich (2000); Traffic (2000); The Informant! (2009); The Laundromat (2019).
Missing VIFF? Check out what's playing at the VIFF Centre
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Memory of Princess Mumbi
In 2093, a filmmaker arrives in the African village of Umata, where he meets Princess Mumbi, a woman torn between love, legacy, and the future of storytelling. It's a fabulous genre-blending fable about memory, invention and cinematic resistance.
Joan Crawford in... Letty Lynton
This would be your first chance to see one of Joan Crawford's prime pre-Code films since 1936, a salacious melodrama about a socialite (Joan Crawford) accused of poisoning her ex lover.
Jack Johnson: Surfilmusic
This new documentary chronicles Jack Johnson's evolution from surfer to filmmaker to world-renowned musician. The film traces how Jack's early years making surf films with close friends became a foundation for a much broader creative life.