Moving into their new home, the members of the Payne family are saddled with considerable baggage. With legal trouble already looming due to her workplace misconduct, Rebekah (Lucy Liu) is called out by her husband Chris (Chris Sullivan) for the overt favouritism she bestows on their competitive, callous son Tyler (Eddy Maday). Meanwhile, daughter Chloe (Callina Liang) is left to languish in solitude as she grieves a close friend’s overdose death and questions the intentions of a new admirer (West Mulholland). With tensions simmering and melancholy assuming a stranglehold, things start to go bump in the night…
In this, his inspired first foray into ghost stories, the ever-innovative Steven Soderbergh shoots every scene from the perspective of a spectral interloper. As the camera glides through hallways, sweeps down staircases, and floats into bedrooms, a viewer is consumed by the eerie sensation of being disembodied. And as we join this phantasm in surveilling the Paynes, we come to understand what truly haunts us…
Supported by
Media Partner
Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, West Mulholland, Julia Fox
USA
2024
English
Book Tickets
Indigenous & Community Access
Credits & Director
Executive Producer
David Koepp, Corey Bayes
Producer
Julie Anderson, Ken Meyer
Screenwriter
David Koepp
Cinematography
Peter Andrews
Editor
Mary Ann Bernard
Original Music
Zack Ryan
Steven Soderbergh
Steven Soderbergh is an American film producer, screenwriter, cinematographer, editor, and an Academy Award-winning film director. Born in Atlanta, Georgia, he gained recognition with his directorial debut, sex, lies, and videotape (1989), which won the Palme d’Or at Cannes. Later films include Kafka (1991), The Limey (1999), Erin Brockovich (2000), Traffic (2000) (Oscar, Best Director), Ocean’s Eleven (2001), Solaris (2002), and Magic Mike (2012).
Filmography: sex, lies, and videotape (1989); Erin Brockovich (2000); Traffic (2000); The Informant! (2009); The Laundromat (2019).
Missing VIFF? Check out what's playing at the VIFF Centre
Wallace & Gromit: Vengeance Most Fowl
Aardman Animation's handcrafted mix of dad jokes, slapstick, mock dramatics and understated emotion makes this return for the claymation odd couple a constant delight. The villainous Feathers McGraw is back to no good, commandeering Norbot the robot. Rated: G
The End
Set in a deluxe bunker two decades after environmental collapse, the first dramatic feature from Joshua Oppenheimer (Act of Killing) is an unironic musical starring Tilda Swinton, Michael Shannon, and George MacKay. The cult starts here.
It's a Wonderful Life
Every time a bell rings, an angel gets its wings. This Christmas classic is whimsical, sure, but it has the depth to stand up to multiple watches, and it really should be a communal experience, because that is what it's about. Rated: G
The Count of Monte Cristo
You can't beat this evergreen Alexandre Dumas tale for adventure, intrigue and romance. This lavish French blockbuster from the writers of the recent Three Musketeers movies pulls you in from the first scene and doesn't let off for the next three hours. Rated: PG
The Holdovers
Destined to become a seasonal staple, this bittersweet comedy reunites Sideways director and star Alexander Payne and Paul Giamatti in the portrait of a surly classics teacher forced to babysit five "orphans" at boarding school over the holidays.