Canadian Premiere
In 1998, two schoolgirls sent a letter to Iran’s first-ever women’s newspaper. While they waited to be published, they considered making an impossible film. Using citations and image intervention, Razeh-del journeys through parallel histories of war on images of women. Tafakory’s previous film (Mast-del, MODES ’23) was named among the top ten short films of the year by Film Comment magazine.
Community Partner
Iran/UK/Italy
2024
In Farsi with English subtitles
This short is featured in:
MODES 2
Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.
Indigenous & Community Access
Credits & Director
Producer
Leonardo Bigazzi
Screenwriter
Maryam Tafakory
Editor
Maryam Tafakory
Maryam Tafakory
Maryam Tafakory [b. Iran] works with film and performance. Screenings of her work include MoMA, Cannes, Locarno, amongst others. Awards include Best Experimental Short at 70th and 71st MIFF, Gold Hugo Award at 58th Chicago Int’l Festival, and Tiger Short Award at 51st IFFR.
Photo by The Flaherty, Abby Lord
MODES
See more shorts in this series
MODES 1
The veracity of history is made visible, audible, and tangible. Embodying the principle of “Art as modes of truth production,” strap in for a sensory examination of the varying forms of aggression enacted by those with power as a means of dominance.
MODES 2
Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.