Filmed on the tundra of the Canadian Arctic, place and personal histories are explored through memories embedded in the land.
Canada
2025
English
Indigenous & Community Access
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Credits & Director
Producer
Lindsay Aksarniq McIntyre
Screenwriter
Lindsay Aksarniq McIntyre
Cinematography
Lindsay Aksarniq McIntyre
Editor
Lindsay Aksarniq McIntyre
Original Music
Bret Parenteau
Lindsay Aksarniq McIntyre
Lindsay McIntyre is an Inuk filmmaker whose works explore place-based knowledge, material practices, and personal histories. With over 40 experimental and documentary films to her name, as well as many festival awards, McIntyre recently leaped into narrative filmmaking with Nigiqtuq ᓂᒋᖅᑐᖅ (The South Wind; 2023), which garnered Best Short at imagineNATIVE. She is a fellow of Sundance, Forge Projects, Media City, and the COUSIN Collective, and teaches Film + Screen Arts at Emily Carr University. She is also the Executive Director of the Inuit Art Foundation and the Publisher of Inuit Art Quarterly.
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Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...