Inside a Greenlandic prison, a profound bond forms between two women: Ruth has spent over a decade in indefinite detention, while Nina is a filmmaker visiting the facility. What begins as a documentary about carceral systems shaped by colonial bureaucracy becomes something more intimate — a co-authored reckoning with trauma, survival, and the uneven legacies of history. Through years of filmed conversations and self-recorded footage, Ruth and Nina confront shared experiences of sexual abuse, abandonment, and systemic neglect.
Directed by Nina Paninnguaq Skydsbjerg and Sofie Rørdam, Walls – Akinni Inuk (“the person in front of me” in Greenlandic) is a quietly radical portrait of empathy across divides. Rather than sensationalizing violence, the film offers glimpses of resilience through stillness, dark humour, and sweeping views of the Arctic landscape. In a nation contending with postcolonial injustice and inherited trauma, this unsentimental yet deeply felt work asks what it means to heal through human connection, and how freedom can be redefined through relationships.
Media Partner
Community Partner
Ruth Mikaelsen Jeremiassen, Nina Paninnguaq Skydsbjerg
Greenland
2025
In Greenlandic and Kalaallisut with English subtitles
Book Tickets
Credits & Director
Executive Producer
Inuk Silis Høegh
Producer
Emile Hertling Péronard
Cinematography
Sofie Rørdam, Anders Berthelsen, Inuk Silis Høegh
Editor
Biel Andrés, Nanna Frank Møller
Original Music
Gustav Lynge Petrussen
Sofie Rørdam
Sofie Rørdam is a Danish filmmaker and visual communicator who works globally with film, engaging with it as a co-creative process that can challenge our beliefs and offer glimpses of ourselves where we least expect it.
Photo by Oscar Scott Carl
Nina Paninnguaq Skydsbjerg
Nina Paninnguaq Skydsbjerg is a Greenlandic film producer and director who has worked in the creative industry since 2010. She has primarily focused on creating projects that highlight Greenlandic stories and local talents, and her directorial debut Walls (2025) marks an important step in her film career, delving into complex topics such as justice, punishment, and identity. Previously, she produced Alanngut Killinganni (2023), which was the first Greenlandic film nominated for the Nordic Council Film Prize.
Photo by Jorgen Chemnitz
Missing VIFF? Check out what's playing at the VIFF Centre
The Wind Will Carry Us
Kiarostami's dry comic masterpiece follows a Tehrani film team's thwarted attempts to document a traditional Kurdish funeral... Trouble being, there's no one to bury, and, worse, virtually no cell service...
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
