VIFF introduces Works-in-Progress (WIP), a new industry initiative dedicated to supporting bold, compelling feature-length projects in the final stages of production.
This curated program will showcase up to 8 projects — 4 Canadian and 4 International — currently in editing or post-production, providing filmmakers with a unique opportunity to present their films to leading international industry professionals.
Designed for directors, producers, sales agents, distributors, festival programmers, and financiers, VIFF WIP aims to accelerate the completion and circulation of outstanding films by connecting them with the partners they need to reach audiences worldwide.
Selected filmmakers will present their projects through a live pitch and a rough-cut excerpt, followed by feedback sessions with invited experts.
Explore the 2026 Projects
Monkeyplay (India)
After the loss of their child a couple retreat to the misty hills of Idukki, where the arrival of a feral child unravels their fragile reality, forcing them to confront loss, guilt and limits of love.
Director: Don Palathara
My Friend Harry (Canada)
After a chance encounter between a filmmaker, Liz, and Harry, an eccentric senior, a friendship is sparked. When Harry is diagnosed with cancer, they embark on an adventure, making a movie as an act of hope in the face of an uncertain future.
Director: Liz Cairns
Futuro (Canada)
When their future-predicting prototype forecasts the imminent death of their lead investor, two entrepreneurs on the brink of bankruptcy must do everything they can to save their company.
Director: Alec Pronovost
Producer: Étienne Galloy
Si Ren (USA/China)
Si Ren, born without genitals, reunites with his former squad leader on a journey back toward the correction school. As old hierarchies resurface, desire, humiliation, and control tighten into a quiet — yet devastating — act of violence.
Director: Longjie Chen
Producer: Guang Ren
Hyena (Mexico)
A devout Catholic mother murders her three children during the night. The case is initially attributed to schizophrenia, but the two detectives leading the investigation know that not everything is as it seems.
Director: Manuel Rodriguez
Producer: Alex Camargo
ROCKET FUEL (Canada)
In small-town Ontario thirteen-year-old Nora cares for her younger siblings in place of her absent parents. A new romance and a chance at gender euphoria force her to choose between remaining the rock her family needs or chasing a truer self.
Director: Jessie Posthumus
Producer: Edge Entertainment
Hair or No Hair (Canada)
A woman’s battle with alopecia explodes into a struggle for self-possession when a sentient Hair Painting awakens in her home, compelling her to reclaim her identity.
Director: Janessa St. Pierre
Producer: Mariam Barry, Mimi Dejene
Three Houses (Venezuela/Dominican Republic/Spain)
In a video letter addressed to a friend, a filmmaker maps the violence of Venezuela through three family homes, and finds that oppression, like memory, never truly disappears.
Director: Jeissy Trompiz
Meet the 2026 Participants
Alec Pronovost
Alex Camargo
Don Palathara
Étienne Galloy
Janessa St. Pierre
Guang Ren
Jeissy Trompiz
Jessie Posthumus
Liz Cairns
Manuel Rodríguez
Mimi Dejene
Rosalia Chilelli
Vlad Chen
Invited Experts
Evelyn Rack
Editor
Evelyn Rack is a film editor working across fiction and documentary. Most recently, she edited Sound of Falling (2026), which premiered at the Cannes Film Festival, received the Jury Prize, and was selected as Germany’s official submission for the Academy Award for Best International Feature. Her work also includes I Spy With My Little Eye, Ararat, We Might as Well Be Dead, WO/MEN, and Drifter, which premiered at major international festivals. Rack is an alumna of Berlinale Talents, serves regularly on festival juries, and is based in Germany, where she holds a master’s degree in editing from the Film University Babelsberg.
Max Collister
MUBI
Max Collister is an award-winning film marketer, producer, and distribution specialist currently serving as Theatrical Marketing Manager for MUBI in Canada. A Western University media graduate, Max previously co-managed VOD licensing at Juice Worldwide and led marketing for global IMAX releases at SK Films. His experience spans theatrical advertising at Cineplex Media, international festival pitching, and producing, including 12 episodes of Bell Fibe TV’s The Community Players.
Michael Robson
Elevation Pictures
Michael Robson is the Vice President, Theatrical Sales at Elevation Pictures. In this role he oversees the planning and launch strategy for all feature films, working alongside Canadian producers and key international distribution partners such as Neon, A24 and Black Bear to bring incredible films to Canadian audiences in theatres across the country. A veteran in the industry Robson has experience across a variety of roles including content creation and acquisition, marketing, distribution, international sales and business development.
Pamela Biénzobas
Programmer Locarno Film Festival
Chilean-French consultant, programmer, and critic. She has been a member of the Locarno Film Festival’s feature film selection committee since 2021. She collaborates with film funds, labs, residencies, and industry events, assessing projects and mentoring filmmakers at every stage, from early development to script advising, editing consultation, and pitch training. She also works with festivals, moderating Q&As and press conferences. As a freelance writer, she has contributed to numerous publications for more than 20 years.
Sonja Baksa
Programmer VIFF
Sonja Baksa is a film programmer and curator. She has been with the VIFF programming team since 2018, currently leading the curation of the competitive Vanguard section and focusing on narrative feature selections from France, South, Southeastern and Eastern Europe, among other regions. She also works as the International Programmer for Short Cuts at the Toronto International Film Festival. Baksa holds an MSc in Film, Exhibition and Curation from the University of Edinburgh; and a Master of Architecture degree from the University of Zagreb. Her niche interests in arts and the occult in cinema have extended into academic research, curatorial projects, and written pieces for various publications.