Akojo Film Collective presents African Cinema Now!, a series dedicated to contemporary African Cinema by and about Africans on the continent and in the diaspora. This collective began as an inquiry into the position of contemporary African cinema in the imaginations of Canadian filmgoers and the wider film festival circuit. African Cinema Now! serves as a gateway to creating necessary dialogue around contemporary African cinema that is often disregarded within mainstream Canadian film spaces.
The series invites audiences to watch and engage with African cinema through thematic installments that will take place year-round at the VIFF Centre.
Community Partner
UBC Africa Awareness Initiative
Akojo Film Collective
Kika Memeh and Ogheneofegor Obuwoma, Curators
Akojo Film Collective consists of Kika Memeh and Ogheneofegor Obuwoma, both curators and programmers based in Vancouver on the Coast Salish lands of the Musqueam, Squamish, and Tsleil-Waututh peoples. They share an interest in contemporary African cinema and the numerous possibilities it holds as a way of understanding modern realities born from the African continent’s colonial past.
June Installment: Our Queer Lives
What are the aesthetics and framework by which queer African stories reach us? For this installment we are specifically interested in African Queer films that emphasize awareness and engage with the history of Queer movements in different regions of the continent. The histories visualised in these films are rooted in the many realities of queer life and the points of joy and resistance.
How these films are made, often through the support of Queer organizations or safe houses, or personal funding, remind us of the unyielding resistance required to shape these stories cinematically.
This thematic focus, while not wholly unique to the continent, poses an interesting departure as we consider the socio-political atmosphere queer africans move through to explore their sexuality and build community.
— Kika Memeh and Ogheneofegor Obuwoma
Stories of Our Lives
Stories of Our Lives (62 mins) documents personal stories of lovers, fighters and rebels and the community histories that characterize the queer experience in Kenya. This is preceded by the touching and resonant 38-minute Nigerian love story, Ìfé.
Walking with Shadows
In Lagos, Nigeria, Ebele Njoko has been running all his life. A search for acceptance and love from his family, has led him to recreate himself as Adrian Njoko, respected father, husband and brother. Suddenly, Adrian's past and secrets catch up with him.
While You Weren't Looking
The changing landscape of South African politics and lifestyles is portrayed through a trio of artfully counter-pointed relationships.
The Pirogue
When offered the chance to lead one of the many Senegalese pirogues bound for Europe via the Canary Islands, Baye Laye reluctantly accepts the job, knowing full-well the many perils that lie ahead.
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Mother of George
Following their joyous wedding, complications arise for a Nigerian couple living in Brooklyn when they're unable to conceive a child - a problem that devastates their family, defies cultural expectations, and leads the wife to make a shocking decision.
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Chez Jolie Coiffure
Having immigrated to Belgium from Cameroon, Sabine manages Chez Jolie Coiffure. Her salon patrons, many of them undocumented immigrants, are not only be made to feel beautiful but can also escape the daily difficulties and harsh realities of their lives.
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Atlantics
In Dakar, Ada loves Souleiman but has been promised to another man. One night, Souleiman and his co-workers leave the country by sea. Several days later, a fire ruins Ada's wedding and a mysterious fever starts to spread. It seems Souleiman has returned.
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Dilli Dark
Michael Okeke left Nigeria six years ago to survive in the frequently disconnecting and overcrowded New Delhi, which he despises heartily. He dreams of true love and a better job but is pushed into only the 4 Cs: cell phone, cocaine, cash, and clients.
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Tori and Lokita
Sharing a sibling-like bond, immigrants Lokita (17) and Tori (12) work as performers in a trattoria, dealing drugs on the side, while navigating an indifferent bureaucracy. When Lokita is held captive in a marijuana grow op, events spiral out of control.
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On Becoming a Guinea Fowl
After finding her uncle's dead body on the roadside by a brothel, Shula grapples with her Zambian family's sanctification of a monstrous man. This darkly comedic absurdist drama was a prize winner at Cannes for director Rungano Nyoni (I Am Not a Witch).
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Our Lady of the Nile
Veronica and Virginia are inseparable friends at an elite Catholic boarding school, Our Lady of the Nile, but what binds them together is the very thing that separates them forever. We are in Rwanda, 1973, and tribal tensions are simmering ominously.
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Mambar Pierrette
The third and final film of the spring session of African Cinema Now is the first dramatic feature from Cameroonian non-fiction filmmaker Rosine Mbakam (Chez Jolie Coiffure), an imaginative portrait of a seamstress.
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