What's On
Close-Up
Kiarostami’s Close-Up blurs documentary and fiction through the story of Hossein Sabzian, who impersonates filmmaker Mohsen Makhmalbaf. The film questions what “real” means on screen while creating an undeniable feeling of realism.
I See Buildings Fall Like Lightning
Having navigated every rite of passage together, five childhood friends now find themselves drifting apart. Clio Barnard conspires with a stellar ensemble to bring these richly detailed, fascinatingly flawed characters to life.
Image: © Chris Harris
The Close-Up: In Conversation with Carrie Coon
Carrie Coon is a formidable stage and screen talent, acclaimed for The Leftovers, Fargo, The Gilded Age, The White Lotus, and The Nest. VIFF honours Coon with a Luminary Award, recognizing her remarkable contributions to film, television, and theatre.
Image: © Heather Hazzan
Run Terry Run
Through unseen footage from family archives, Run Terry Run explores Terry Fox’s legacy not only as a beloved hero, but as a flesh-and-blood person armed with a fierce determination and an unyielding vision of a better future.
Nina Roza
Mihail, a contemporary art expert, has been living in Montreal since he left Bulgaria with his daughter almost thirty years ago. When he is commissioned to authenticate the work of an 8-year-old painting prodigy, he returns to Bulgaria for the first time.
Elephants in the Fog
In a remote Nepalese village, Pirati takes charge in the search for a missing girl belonging to her family of third-gender Kinnar women. A densely atmospheric thriller and a moving portrait of an embattled but resilient community.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
How We Stand
How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.
In the Heart of the South
In the Heart of the South, from the director of Slash/Back, brings North of North co-stars Anna Lambe and Zorga Qaunaq together for a propulsive, psychological meta-thriller about an Inuk multimedia writer possessed by her own narrative.
Take Me Home
Liz Sargent’s film stars her sister Anna, who plays a woman quite like her real self: thirty something, cognitively disabled, and utterly vivacious. Exploring one unique family and the hardships it faces, this is a film of deep empathy and subtle beauty.
Image: © Farhad Ahmed Dehlvi
The Ballad From Wednesday to Thursday
As evening approaches, residents of Cologne gather in bars, cafes, and clubs, talking about everything from immigration, war in the Middle East, feminism, and racial profiling. As the alcohol flows, conversations get louder and opinions looser.
Image: © Montell Taraschewski_Monte Kalk Film