North American Premiere
A decade after her passing, the emotive brilliance of iconic Tanztheater choreographer Pina Bausch lives on through a new generation of performers as they make her movement vocabulary their own, under the guidance of original members of her cast. Director Florian Heinzen-Ziob’s stunning documentary takes us behind the scenes as the ballet ensemble of the Semperoper in Dresden, Germany rehearses Pina’s poignant dance-opera Iphigenia in Tauris. Meanwhile, dancers from fourteen African countries gather at the École des Sables in Senegal to breathe new life into Pina’s visceral reimagining of The Rite of Spring.
Through intimately shot interviews and rehearsal footage, the performers share what “dancing Pina” means to them: the fusion of personal experience and choreography; learning to fully inhabit the body that one has; and facilitating a true encounter with the self through performance. Bolstered by gorgeous cinematography both onstage and on the shore of Toubab Dialaw, Senegal, the end results are achingly beautiful. A journey of fascinating insights into the lives of dancers and the expressive power of movement.
Media Partner
Community Partner
Malou Airaudo, Clémentine Deluy, Josephine Ann Endicott, Jorge Puerta Armenta, Sangeun Lee, Courtney Richardson
Germany
2022
In English, French, German, and Portuguese with English subtitles
Gender or Sexual Discrimination
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Israel Palestine on Swedish TV 1958-1989
Drawing on 30 years of television archives, Göran Hugo Olsson relates the early history of the state of Israel, as reported by Swedish filmmakers, politicians and journalists. "An astonishing, invaluable document." William Mullally, The National
Predators
"Punk'd for pedophiles." That's what Jimmy Kimmel called Chris Hansen's true crime/reality TV show, To Catch a Predator (2004-07). Two decades on, David Osit examines why the show made such an impact, for good or ill, and sits down with Hansen himself.
Credits
Producer
Florian Heinzen-Ziob, Georg Heinzen
Screenwriter
Florian Heinzen-Ziob
Cinematography
Enno Endlicher
Editor
Florian Heinzen-Ziob
Director
Florian Heinzen-Ziob
Born 1984 in Düsseldorf, Germany, Florian Heinzen-Ziob is a freelance director, producer, and co-founder of the production company Fontäne Film. He studied media arts and film directing at the Academy of Media Arts in Cologne. As an author, director, and producer, he made the feature-length documentaries Original Copy (2015), German Class (2018), and Dancing Pina. His films have been shown at over a hundred film festivals worldwide, including International Film Festival Rotterdam, Hot Docs Canadian International Documentary Festival, Sheffield DocFest, and DOK.fest Munich, and have received several awards. He lives and works in Cologne, Germany.
Filmography: Original Copy (2015); German Class (2018)