North American Premiere
A decade after her passing, the emotive brilliance of iconic Tanztheater choreographer Pina Bausch lives on through a new generation of performers as they make her movement vocabulary their own, under the guidance of original members of her cast. Director Florian Heinzen-Ziob’s stunning documentary takes us behind the scenes as the ballet ensemble of the Semperoper in Dresden, Germany rehearses Pina’s poignant dance-opera Iphigenia in Tauris. Meanwhile, dancers from fourteen African countries gather at the École des Sables in Senegal to breathe new life into Pina’s visceral reimagining of The Rite of Spring.
Through intimately shot interviews and rehearsal footage, the performers share what “dancing Pina” means to them: the fusion of personal experience and choreography; learning to fully inhabit the body that one has; and facilitating a true encounter with the self through performance. Bolstered by gorgeous cinematography both onstage and on the shore of Toubab Dialaw, Senegal, the end results are achingly beautiful. A journey of fascinating insights into the lives of dancers and the expressive power of movement.
Media Partner
Community Partner
Malou Airaudo, Clémentine Deluy, Josephine Ann Endicott, Jorge Puerta Armenta, Sangeun Lee, Courtney Richardson
Germany
2022
In English, French, German, and Portuguese with English subtitles
Gender or Sexual Discrimination
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
Credits
Producer
Florian Heinzen-Ziob, Georg Heinzen
Screenwriter
Florian Heinzen-Ziob
Cinematography
Enno Endlicher
Editor
Florian Heinzen-Ziob
Director
Florian Heinzen-Ziob
Born 1984 in Düsseldorf, Germany, Florian Heinzen-Ziob is a freelance director, producer, and co-founder of the production company Fontäne Film. He studied media arts and film directing at the Academy of Media Arts in Cologne. As an author, director, and producer, he made the feature-length documentaries Original Copy (2015), German Class (2018), and Dancing Pina. His films have been shown at over a hundred film festivals worldwide, including International Film Festival Rotterdam, Hot Docs Canadian International Documentary Festival, Sheffield DocFest, and DOK.fest Munich, and have received several awards. He lives and works in Cologne, Germany.
Filmography: Original Copy (2015); German Class (2018)

