North American Premiere
In this clever metaphysical psychodrama, a grieving writer– tormented by the protagonist of her novel, who has come to life– revisits the story she has written. We see the protagonist await trial for a serious crime. Four women are interrogated as his character witnesses: his ex-wife, who supported him with funds stolen from her new husband; his landlady, who would turn a blind eye to his dishonesty, when convenient; his emotionally detached mother, who feels that only God can judge him; and a pretty woman, pregnant with his child.
The circumstances leading up to the protagonist’s crime are gradually revealed: a lonesome lifestyle steeped in falsehoods; a pathological fixation on a beautiful woman at the beach; and a romance founded in delusion. Years after the ink has dried, the novelist must grapple with the sinister intent of a creation that has spun out of her control. Bolstered by psychologically rich narration adapted from the eponymous novel by Dulce Maria Cardoso, Field of Blood blurs the lines between story and story-within-story to thrilling effect.
Carloto Cotta, Luísa Cruz, Sara Carinhas, Teresa Madruga, Fernanda Neves, Suzana Borges
Portugal
2022
In Portuguese with English subtitles
Graphic Violence
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Dawn Pemberton Sings Aretha + Amazing Grace Film Screening
These dates are going to knock your socks off: one of the all-time great concert films, Aretha Franklin performing at the New Bethel Baptist Church in 1972, and Canada's own Queen of Soul, Dawn Pemberton, performing live in Aretha's honour.
Left-Handed Girl
Co-written and edited by Sean Baker (Anora), Shi-Ching Tsou's heartwarming solo feature debut follows a single mom in Taipei who is too consumed with her noodle stand to keep tabs on her five-year-old daughter's burgeoning shoplifting habit.
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Caravaggio
In the latest from Exhibition on Screen, co-directors David Bickerstaff and Phil Grabsky shed light not only on Caravaggio's paintings, but his life, often kept half-hidden in the same chiaroscuro tones he shaded his masterpieces with.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Credits
Producer
Ana Pinhão Moura
Screenwriter
Luís Mário Lopes, João Mário Grilo, Inês Beleza Barreiros
Cinematography
João Ribeiro
Editor
Roberto Perpignani
Original Music
Mário Laginha
Art Director
Silvia Grabowski
Director
João Mário Grilo
João Mário Grilo was born in 1958 in Figueira da Foz, Portugal. He has directed several films that have been featured in the world’s most prestigious festivals, such as A Estrangeira (1982), which was in competition at the Venice Film Festival; O Processo do Rei (1989), which screened at the Berlinale and the Toronto International Film Festival; O Fim do mundo (1993), which was selected at Cannes’ Un Certain Regard section; Os Olhos da Ásia (1996), which screened at Locarno Film Festival and VIFF; and Longe da Vista (1998), which screened in competition at Venice Film Festival.
Filmography: A Falha (2002); Two Women (2009); Escrita Íntima (2017); Vieirarpad (2021)