A washed up English tennis pro, Tom (Sam Riley) now coaches tourists in a middling resort in Fuerteventura, in the Canary Islands. Drawn to the mother of one of his students, Tom agrees to show the family the island. But the father, Dave, vanishes after a night of heavy drinking, and suspicion falls on Tom and Anne (Stacy Martin).
Jan-Ole Gerster’s compelling mystery is a sly character study masquerading as a sunswept neo-noir. To say more would be to undermine the movie’s subtle play on desire and gratification, insinuation and ambivalence, but this is a thoroughly engrossing slow reveal of a film.
A sun-baked dream noir that unfolds like a rivetingly seductive mixed doubles match between Patricia Highsmith and the main cast of Challengers…Hypnotic from start to finish.
B+ David Ehrlich, IndieWire
Islands is engrossingly observant, fascinating in its restrained exploration of human interiority, and persuasive and even intoxicating in its rich examination of longing, emptiness, and the ways we deeply yearn to be found…
Rodrigo Perez, The Playlist
Jan-Ole Gerster
Sam Riley, Stacy Martin, Jack Farthing, Dylan Torrell
Germany
2025
In English and Spanish with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Jan-Ole Gerster, Blaz Kutin, Lawrie Doran
Cinematography
Juan Sarmiento G.
Editor
Antje Zynga
Original Music
Dascha Dauenhauer
Production Design
Cora Pratz
Also Playing
Black Bag
In the last of his studies in the evolution of cinematography, Devan Scott surveys the modern era of digital photography and LED lighting, focusing in particular on the radical work of Steven Soderbergh, who regularly serves as his own cinematographer.
Amrum
Twelve-year-old Nanning (Jasper Billerbeck) sets himself a mission to secure bread and honey for his mother to snap her out of her depression. It is 1945. The war is all but lost, and such luxuries are not easy to find on the remote island of Amrum...
Silent Friend
In this entrancing reverie from On Body and Soul director Ildikó Enyedi, we are invited to contemplate several human specimens from the vantage point of a mighty Ginkgo biloba tree on the grounds of a German university.