North American Premiere
TIFF Talent Lab and Cannes Cinéfondation alumna Sara Kern makes a stirring debut with this touching portrait of a family in mourning, centering on 10-year-old Moja, who takes it upon herself to pick up the pieces of her broken family after the sudden loss of their mother.
The filmmaker employs a distinctly soft lens in her poignant interrogation of maternal instinct and female empathy, operating in the insular world of a wounded yet resourceful young girl who finds comfort in taking care of everyone around her. This is further highlighted by the film’s thoughtful use of interior settings, and the way these spaces inform the characters’ sense of sanctuary and emotional armour. Anchored in the deeply affecting performance by the young Loti Kovačič, the film gently peels off layers of trauma embedded in the fractured family routine, while expertly harnessing the sense of cultural dichotomy in its portrayal of shifting family dynamics.
Presented by
Loti Kovačič, Mackenzie Mazur, Gregor Baković, Claudia Karvan
Australia/Slovenia
2022
In English and Slovene with English subtitles
Coarse language
Open to youth!
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
Credits
Producer
Gal Greenspan, Rok Bicek, Sharlene George
Screenwriter
Sara Kern
Cinematography
Lev Predan Kowarski
Editor
Haim Tabakman, Hayley Miro Browne
Production Design
Maddison Haywood
Director
Sara Kern
Sara Kern is a Slovenian-Australian writer and director. She graduated in film directing from the University of Ljubljana’s Academy of Theatre, Film, Radio, and Television in 2013. Kern worked as a screenwriter for the Slovenian National Television’s Children and Youth Program for several years before moving to Australia. Her 2016 short Good Luck Orlo premiered at the 73rd Venice Film Festival and went on to screen at the Toronto, Chicago, and Seattle International Film Festivals.