North American Premiere
TIFF Talent Lab and Cannes Cinéfondation alumna Sara Kern makes a stirring debut with this touching portrait of a family in mourning, centering on 10-year-old Moja, who takes it upon herself to pick up the pieces of her broken family after the sudden loss of their mother.
The filmmaker employs a distinctly soft lens in her poignant interrogation of maternal instinct and female empathy, operating in the insular world of a wounded yet resourceful young girl who finds comfort in taking care of everyone around her. This is further highlighted by the film’s thoughtful use of interior settings, and the way these spaces inform the characters’ sense of sanctuary and emotional armour. Anchored in the deeply affecting performance by the young Loti Kovačič, the film gently peels off layers of trauma embedded in the fractured family routine, while expertly harnessing the sense of cultural dichotomy in its portrayal of shifting family dynamics.
Presented by
Loti Kovačič, Mackenzie Mazur, Gregor Baković, Claudia Karvan
Australia/Slovenia
2022
In English and Slovene with English subtitles
Coarse language
Open to youth!
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Halloween Live! The Crypt Keepers + The Day of the Beast
Amp up your Halloween with a unique live set of holidays cuts from The Crypt Keepers, followed by Alex de la Iglesias's cult comic horror Day of the Beast, a wild ride about a sinful Catholic priest on the warpath against Satan.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Producer
Gal Greenspan, Rok Bicek, Sharlene George
Screenwriter
Sara Kern
Cinematography
Lev Predan Kowarski
Editor
Haim Tabakman, Hayley Miro Browne
Production Design
Maddison Haywood
Director
Sara Kern
Sara Kern is a Slovenian-Australian writer and director. She graduated in film directing from the University of Ljubljana’s Academy of Theatre, Film, Radio, and Television in 2013. Kern worked as a screenwriter for the Slovenian National Television’s Children and Youth Program for several years before moving to Australia. Her 2016 short Good Luck Orlo premiered at the 73rd Venice Film Festival and went on to screen at the Toronto, Chicago, and Seattle International Film Festivals.