North American Premiere
TIFF Talent Lab and Cannes Cinéfondation alumna Sara Kern makes a stirring debut with this touching portrait of a family in mourning, centering on 10-year-old Moja, who takes it upon herself to pick up the pieces of her broken family after the sudden loss of their mother.
The filmmaker employs a distinctly soft lens in her poignant interrogation of maternal instinct and female empathy, operating in the insular world of a wounded yet resourceful young girl who finds comfort in taking care of everyone around her. This is further highlighted by the film’s thoughtful use of interior settings, and the way these spaces inform the characters’ sense of sanctuary and emotional armour. Anchored in the deeply affecting performance by the young Loti Kovačič, the film gently peels off layers of trauma embedded in the fractured family routine, while expertly harnessing the sense of cultural dichotomy in its portrayal of shifting family dynamics.
Presented by
Loti Kovačič, Mackenzie Mazur, Gregor Baković, Claudia Karvan
Australia/Slovenia
2022
In English and Slovene with English subtitles
Coarse language
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Unforgiven
Bill Munny (Clint Eastwood) is face down in pig shit when we first see him. He's a bad farmer, but has a natural facility for killing people – a vocation to which he returns in a quest that combines both profit and justice. Or so he chooses to believe.
Romería
An orphan from a young age, 18-year-old Marina intends to pursue a university scholarship. The application, however, requires the signatures of her paternal grandparents, compelling her to embark on a pilgrimage and seek out the family she has never met.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
Credits
Producer
Gal Greenspan, Rok Bicek, Sharlene George
Screenwriter
Sara Kern
Cinematography
Lev Predan Kowarski
Editor
Haim Tabakman, Hayley Miro Browne
Production Design
Maddison Haywood
Director
Sara Kern
Sara Kern is a Slovenian-Australian writer and director. She graduated in film directing from the University of Ljubljana’s Academy of Theatre, Film, Radio, and Television in 2013. Kern worked as a screenwriter for the Slovenian National Television’s Children and Youth Program for several years before moving to Australia. Her 2016 short Good Luck Orlo premiered at the 73rd Venice Film Festival and went on to screen at the Toronto, Chicago, and Seattle International Film Festivals.