Canadian Premiere
Tereza Nvotová follows up her critically acclaimed feature debut, Filthy, with this lush, atmospheric genre piece that masterfully mines regional superstitions and witch lore as she continues to interrogate female trauma and toxic patriarchal structures at the heart of destructive social dynamics.
The film centers on Šarlota, a young woman that shows up in a remote Slovakian mountain village looking for answers about her tragic family past. But her sudden presence is met with suspicion and mistrust from the small community. This draws out Mira, a local loner who takes an interest in the mysterious newcomer and decides to take her under her wing. As the two women bond and start challenging the wider status quo, their fearless and independent ways ruffle some feathers, and it’s not long before the pitchforks are out for them.
A heady mix of arresting visuals, genre thrills, rich character dynamics, and sharp social commentary, Nightsiren occupies that coveted space of mainstream appeal and intimate, character-driven storytelling that casts a potent cinematic spell.
Pardo d’oro for Best Film, Locarno 2022
Presented by
Natália Germáni, Eva Mores, Juliána Brutovská, Iva Bittová, Jana Oľhová, Marek Geišberg
Slovakia/Czech Republic
2022
In Slovak with English subtitles
Gender or Sexual Discrimination
At VIFF Centre — Vancity Theatre
At The Rio
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Miloš Lochman
Screenwriter
Barbora Námerová, Tereza Nvotová
Cinematography
Federico Cesca
Editor
Pavel Hrdlička, Thibault Hague
Production Design
Tomáš Berka
Original Music
Pjoni, Rob
Director
Tereza Nvotová
Tereza Nvotová was born in Trnava, Czechoslovakia in 1988. Her debut film, Filthy (2017), premiered at International Film Festival Rotterdam and won many awards at festivals worldwide. Her HBO documentary, The Lust for Power (2017), was critically acclaimed and has caused heated debate about populism and corruption in politics. She is currently working on her third feature, Father, and the TV miniseries Convictions and The Nurse.
Filmography: Filthy (2017); The Lust for Power (2017)
