Skip to main content

VIFF Tickets on sale now for VIFF+ members. Log in to purchase. Not a member? Join Now!

On Becoming a Guinea Fowl film image; woman wearing sequin-studded helmet

On Becoming a Guinea Fowl

This event has passed

When Shula (Susan Chardy) returns home to Zambia and finds her uncle’s dead body on the roadside by a brothel, the last thing she wants is to mourn him. Her boisterously drunk cousin Nsansa (Elizabeth Chisela) can’t stop laughing, because Uncle Fred died as he lived: a pervert. But when their aunties shame them into helping with three intense days of traditional funeral rites, the cousins must wrestle with the sanctification of a man who caused great harm in his lifetime.

Kicking off our latest installment of African Cinema Now!, On Becoming a Guinea Fowl is the second feature from writer-director Rungano Nyoni (I Am Not a Witch), who was awarded a Best Director prize in Cannes’ Un Certain Regard. Darkly humorous and occasionally surrealist, her writing is matched by razor-sharp editing and immersive sound design to expose the absurdity of the family’s over-the-top demands. The pressure cooker of the funeral is contrasted with the joys and catharsis of stolen moments between the cousins. On Becoming a Guinea Fowl is a defiant warning call to families who hide predators in their midst.

Akojo Film Collective says:

No place is gender-based discrimination more apparent than in the domestic space of the home. Nyoni’s sensibilities in depicting the lives of Zambian women make for a film that challenges and deconstructs these intimate spaces and the labour expected of women and girls within them. The surreal nature of life for the main character, Shula holds deeply a universal understanding of the realities of womanhood even as it binds her deeper to other younger women in her family.


A magically transcendent, cunningly funny, and arresting piece of cultural commentary that puts the inequalities of tradition against the warmth community can, still, on occasions, provide.

Robert Daniels, rogerebert.com

Taut, absorbing, and, at ninety-nine minutes, ruthlessly concise.

Justin Chang, New Yorker

A story of discoveries both minor and monumental, one that’s flecked with troubling visions and an escalating sense of urgency.

Manohla Dargis, New York Times

 

Community Partner

UBC Africa Awareness Initiative

Director

Rungano Nyoni

Cast

Susan Chardy, Elizabeth Chisela

Credits
Country of Origin

Zambia/UK/Ireland

Year

2024

Language

In Bemba and English with English subtitles

Awards

Best Director: Un Certain Regard, Cannes 2024

19+
95 min
A24, BBC Film, Element Pictures

Book Tickets

This event has passed.

Credits

Executive Producer

Eva Yates, Christian Vesper, Olivia Sleiter

Producer

Ed Guiney, Andrew Lowe, Tim Cole

Screenwriter

Rungano Nyoni

Cinematography

David Gallego

Editor

Nathan Nugent

Production Design

Malin Lindholm

Original Music

Lucrecia Dalt

Also Playing

Souleymane's Story

Dir. Boris Lojkine
92 min

Exhausted by the grueling grind of the Parisian gig economy and hopping between homeless shelters, Guinean immigrant Souleymane races against time to prepare for his asylum interview. An angry, tender film which is as gripping as any thriller.

VIFF Centre - VIFF Cinema

The Last Class

Dir. Elliot Kirschner
72 min

Economist and former US Secretary of Labor Robert Reich embarks on what will be his last year teaching at Berkeley. What can he impart to the latest generation to inspire and empower them for the grievous challenges ahead?

VIFF Centre - Lochmaddy Studio Theatre

Once Upon a Time... In Hollywood

Dir. Quentin Tarantino
160 min

A film of luxuriant and sinister beauty, Tarantino's last movie to date is a rich and lovely immersion in the dying days of Old Hollywood, LA, 1969.

VIFF Centre - VIFF Cinema

Last Breath

Dir. Costa-Gavras
100 min

At the age of 91 the revered filmmaker Costa-Gavras (Z) has made a gentle, curious, hopeful film about life on a palliative ward.

VIFF Centre - Lochmaddy Studio Theatre