What's On
A Girl Unknown
In this tender, compassionate drama, we see the hardships endured by a young girl adopted in the early 1980s during China’s one-child policy. As a teenager in the 90s, she’s still fighting to find a sense of belonging and assert her worth.
First Comes Love: Nakabingwit
An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.
Take Me Home
Liz Sargent’s film stars her sister Anna, who plays a woman quite like her real self: thirty something, cognitively disabled, and utterly vivacious. Exploring one unique family and the hardships it faces, this is a film of deep empathy and subtle beauty.
Image: © FarhadAhmedDehlvi
The Diary of a Chambermaid
Radu Jude adapts Octave Mirbeau’s classic (and much-filmed) novel in a uniquely Jude fashion, with our oppressed chambermaid prodded by her smug employers to star in a production of... Diary of a Chambermaid. This is a sly and subversive satire.
An Incomplete Calendar
A forgotten vinyl record from Venezuela becomes Sanaz Sohrabi's guide through interlocking histories of oil, Iran, music, and political memory in An Incomplete Calendar.
How We Stand
How We Stand follows three Indigenous sisters separated after their family relocates to Los Angeles under Native American Relocation Program in the 1950s. Twenty years later, they navigate identity, trauma, and very different lives.
Minotaur
Russia, 2022. While contending with the fallout of the Russian invasion of Ukraine, a corporate executive tries to insulate his home life from the consequences of the war. But when he discovers that his wife has been unfaithful, things start to implode.
Smudge the Blades
This rousing hockey drama centres on the Treaty 6 Blades, a team of Indigenous youth on a quest for redemption. Blessed with a terrific cast, this is a crowd-pleaser in which victory is about much more than winning the game.
The Ballad From Wednesday to Thursday
As evening approaches, residents of Cologne gather in bars, cafes, and clubs, talking about everything from immigration, war in the Middle East, feminism, and racial profiling. As the alcohol flows, conversations get louder and opinions looser.
Image: © Montell Taraschewski_Monte Kalk Film
Fatherland
Nobel laureate Thomas Mann returns to postwar Germany alongside his fiercely loyal daughter Erika. Winner of Best Director at Cannes, Paweł Pawlikowski's drama is a piercing study of complicity, family fractures, and the impossibility of true homecoming.
Concrete Land
Filmed over eight years, Concrete Land follows the Najar family, one of Jordan’s last Afro-Palestinian-Bedouin families, as luxury villas close in on their grazing space outside Amman. Asmahan Bkerat preserves their way of life in the face of erasure.
Short Forum 3: Workers of the World
The grind of the working class in a system that betrays its promises.