North American Premiere
As evening approaches, residents of Cologne gather in bars, cafes, and clubs across the German city. A policewoman goes out with a man starting a clerkship; a trio of women vent about their job woes; a middle-aged woman meets up with her longtime friends for a game of cards. As the night wears on, no topic of conversation is out of bounds, with immigration, war in the Middle East, gender, feminism, and racial profiling all thrown into the mix. As the alcohol keeps flowing, conversations get louder and opinions looser, as if testing the very fabric of this tenuous social world.
A raucous, ribald ensemble comedy, The Ballad From Wednesday to Thursday is a riotously funny but keenly observed look at a cross-section of German society. Recalling the booze-addled energy and quasi-documentary atmosphere of Bloody Nose, Empty Pockets (VIFF 2020), this is a film sees talk and conversation as messy and unpredictable, but also as the lifeblood of human connection and democracy.
Supported by
Magdalena Laubisch, Ulrike Prager, Johannes Benecke, Sergen Meral, Jean-Luc Bubert
Germany
2026
In German with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Christoph Otto
Screenwriter
Jan Bonny, Jan Eichberg
Cinematography
Montell Taraschewski
Editor
Christoph Otto
Original Music
Tina Schüler
Christoph Otto
Christoph Otto is a director, writer, and editor who studied at the Mainz Academy of Arts and the Academy of Media Arts Cologne. His short film Bei Gino (2024) won the NRW Competition at the 2024 International Short Film Festival Oberhausen. As an editor, he has received two German Television Awards for his work with director Jan Bonny. The Ballad From Wednesday to Thursday (2026) is his feature-length directorial debut.
Photo by T.Schueler_queer
Focus on New German Cinema: Extreme Tension
See more films in this series
Trial of Hein
After 14 years on the mainland, Hein returns to the cloistered fishing village where he grew up. But when he arrives, he goes unrecognized. Amid mounting suspicion and hostility, the community holds a three-day trial to verify his identity.
I Understand Your Displeasure
This intense realist drama stars Sabine Thalau as Heike, the underpaid, stressed-out manager of a cleaning crew. The non-professional actor portrays the hardship of labour so well that every breath, every arduous movement registers its cost on her soul.
Image: © Wenn Dann Film
The Ballad From Wednesday to Thursday
As evening approaches, residents of Cologne gather in bars, cafes, and clubs, talking about everything from immigration, war in the Middle East, feminism, and racial profiling. As the alcohol flows, conversations get louder and opinions looser.
Image: © Montell Taraschewski_Monte Kalk Film
Dear Future Self
Prompting their students to write a letter to their future selves, two friends find themselves questioning the intertwined trajectory of their own lives. Dear Future Self is a sharply tender story about friendship, dreams, and the desire for agency.
Prosecution
When a young German prosecutor of Korean origin is attacked, she suspects a racist conspiracy and pursues the truth in defiance of her superiors. Prosecution is a film for our moment: a thriller that confronts the far-right head-on.
Sometimes, I Imagine Them All at a Party
Fourteen years ago, Daniela Magnani Hüller survived an attempted femicide by a schoolmate. Now a filmmaker, she revisits the events surrounding that fateful incident, creating a moving collage of interviews, personal recollections, and archival material.
Image: © Bildersturm
