Canadian Premiere
Fresh from competing at the 72nd annual Berlin International Film Festival, audience favourite Hong Sangsoo returns to VIFF with his latest film.
Novelist Junhee (Lee Hyeyoung) is taking a break from writing, going on a daytrip to a small town to visit an old friend’s bookstore. Their reminiscing of years gone by turns into a discussion of a local public garden, one of the town’s must-see local attractions. It’s there on a leisurely stroll that Junhee has a chance encounter with a famous actress and a former colleague, a movie director. Suddenly, an aimless afternoon reignites an idea that Junhee has been ruminating for some time: what if she were to write and direct her own film?
Variety calls Hong Sangsoo’s 28th feature a “gently circuitous, conversation-driven charmer.” Shot almost entirely in black and white and featuring semi-improvised performances from a cast of Hong regulars, including Kim Minhee and Kwon Haehyo, The Novelist’s Film is an effortless and playful look at how a single day spent with friends, both old and new, can realign an artist’s purpose.
Silver Bear Grand Jury Prize, Berlin 2022
Media Partner
Hong Sangsoo
Lee Hyeyoung, Kim Minhee, Seo Younghwa, Park Miso, Kwon Haehyo, Cho Yunhee
South Korea
2022
In Korean with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Executive Producer
Hong Sangsoo
Producer
Hong Sangsoo
Screenwriter
Hong Sangsoo
Cinematography
Hong Sangsoo
Editor
Hong Sangsoo
Original Music
Hong Sangsoo