Canadian Premiere
The daughter from a man’s first marriage feels left out and misunderstood at a birthday celebration for her younger stepsister. This is a beautifully made family relations story about a child’s insecurities and a father’s failure to recognize his daughter’s needs in a difficult situation. Reminiscent of Catherine Breillat’s emotionally rich works minus the sexual identity aspects, the film captures the mood and feelings of awkward belonging and frustration the daughter is overwhelmed by. Baby stems directly from the director’s experience growing up and exposes the difficulties and confusion children may have when parental relationships change.
Community Partner
Maria José Quintero, Rashed Esteffen, Juliana Bustillo, Mariana Tallaferro
Colombia
2022
In Spanish with English subtitles
Featured in:
International Shorts: Family Ties
The bonds of family form the basis of this program of short films. Bonds with history and responsibility—sometimes close, sometimes strained—now and for the future.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Duván Duque Vargas, Natalia Barriga, Jaime Sánchez, Cristina Sánchez Salamanca
Screenwriter
Cristina Sánchez Salamanca
Cinematography
Luciana Riso
Editor
Ana Benzal
Production Design
Sofía Reyes
Original Music
Valeria Oggioni
Director
Cristina Sánchez Salamanca
Cristina Sánchez Salamanca is a Bogotá-based director and screenwriter specializing in fiction and commercial content. After studying Film and TV Direction at the ESCAC in Barcelona, Sánchez Salamanca returned to Colombia in 2016. Her short film Baby had its world premiere at Tribeca Film Festival’s Official Selection. She has worked as an Assistant Director and a Second Unit Director for Star+ and Disney+. Since 2022, Sánchez Salamanca has been the Head of Development at Vista Productions. She is currently developing her first feature film.
