Virtuoso Korean filmmaker Park Chan-wook (The Handmaiden; Oldboy) picked up rave reviews and the Best Director Prize at Cannes for this singularly strange genre piece, a neo-noir mystery about a homicide detective who falls in love with the widow (Lust Caution’s Tang Wei) of an apparent suicide. The deceased was a mid-level bureaucrat in the department of immigration, and an older man; the widow is young, beautiful, and Chinese. She’s so apologetic about her Korean she uses a translation app on her phone during her questioning, but her words don’t allay suspicion in either language, and it emerges that the dead man used to beat her. Then again, she has an ironclad alibi.
These narrative elements are familiar from a 1001 thrillers. And yet we must be on our game; Park shuffles the pack with dizzying skill, concocting a visual syntax which is wildly original and quite idiosyncratic. Scenes are highly abbreviated, and often distilled into a handful of eye-catching compositions; he’ll place an unusual emphasis there or here, and it’s only later that everything falls into place. This is a tantalizing, teasing movie, and in its own weird way, desperately romantic.
Best Director Award, Cannes 2022
Media Partner
Tang Wei, Park Hae-il
South Korea
2022
In Korean and Chinese with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Amrum
Twelve-year-old Nanning (Jasper Billerbeck) sets himself a mission to secure bread and honey for his mother to snap her out of her depression. It is 1945. The war is all but lost, and such luxuries are not easy to find on the remote island of Amrum...
The Power of Restitution: The Spoils
Join us for a special free screening of The Spoils, an acclaimed documentary about German-Jewish art dealer Max Stern, followed by a live panel discussion exploring the urgent and evolving global movement for art restitution.
The Music Room
Devan Scott continues his journey through the history of lighting. This week, he credits Indian director of photography Subrata Mitra for profound innovations that laid the foundation for ideas of motivated lighting + screening of The Music Room.
Credits
Executive Producer
Miky Lee
Producer
Park Chan-wook
Screenwriter
Chung Seo-kyung, Park Chan-wook
Cinematography
Kim Ji-yong
Editor
Kim Sang-bum
Original Music
Cho Young-wuk
Production Design
Ryu Seong-hie
Director
Park Chan-wook
Park Chan-wook has had two films win at Cannes: Oldboy (2003), which won the Grand Prix and Thirst (2009), which won the Jury Prize. His film The Handmaiden (2016) screened in competition at the 69th Cannes Film Festival, and won the BAFTA Award for Best Film Not in the English Language. From his TV series The Little Drummer Girl (2018), which screened on the BBC, to his collaboration with Apple on the short film Life is But a Dream (2022), director Park Chan-wook constructs unique cinematic worlds with his taboo-breaking storytelling, fascinating characters, and sensual visuals.
Filmography: Oldboy (2003); Sympathy for Lady Vengeance (2005); Thirst (2009); The Handmaiden (2016)