Veteran director Jerzy Skolimowski returns in triumphant form with this lovely tale of animal life. Sometimes harsh, sometimes sweet, always beautiful, EO tells the story of a donkey and its journey through a world dominated by humans. As the film begins, EO is living a happy life as part of a circus, performing alongside Kasandra (Sandra Dryzmalska). When animal-rights protesters disrupt the situation, the poor creature is shipped off to Italy; the rest of the film portrays its subsequent adventures, which include becoming part of a petting zoo, getting involved in a Polish soccer game, and encountering a countess.
As certain readers might have gathered by now, EO is an homage to Robert Bresson’s masterpiece Au hasard Balthazar. Though their methods are different, Bresson and Skolimowski both use their animal protagonists as litmus tests for humanity, with their varying treatments showing the best and the worst in us. Where Bresson is austere and suggestive, Skolimowski is emotive and lyrical; this is a wonderfully moving film.
Prix du Jury (tied), Cannes 2022
Community Partner
Hola, Tako, Marietta, Ettore, Rocco, Mela, Sandra Drzymalska, Tomasz Organek, Mateusz Kościukiewicz, Lorenzo Zurzolo, Isabelle Huppert
Poland/UK/Italy
2022
In Polish, English, French, and Italian with English subtitles
Animal Cruelty
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Executive Producer
Jeremy Thomas
Producer
Ewa Piaskowska, Jerzy Skolimowski
Screenwriter
Ewa Piaskowska, Jerzy Skolimowski
Cinematography
Michał Dymek
Editor
Agnieszka Glińska
Original Music
Paweł Mykietyn
Director
Photo by Michał Englert
Jerzy Skolimowski
As an actor, Jerzy Skolimowski has appeared in White Nights, Eastern Promises, and The Avengers. His 2008 thriller Four Nights With Anna opened the Director’s Fortnight at Cannes and won the Special Jury Prize at the Tokyo International Film Festival. Essential Killing (2010) won Best Film at the Mar del Plata International Film Festival, the Polish Film Awards, and Gdynia FIlm Festival (where he also won for Best Director), and the Special Jury Prize at the Venice Film Festival. Skolimowski is an accomplished painter who has taken part in the Venice Biennale and exhibited across Europe and the US.
Filmography: 30 Door Key (1991); Four Nights With Anna (2008); Essential Killing (2010); 11 Minutes (2015)