Unemployed and living in the emasculated shadow of his father and older brother, Haider, a shy, softspoken man, eagerly accepts a job at a theatre as a backup dancer for Biba, a trans woman trying to make her way as an erotic dancer. Hiding the truth of his work from his family—who have secrets of their own—Haider gradually falls into an intimate affair with Biba. Meanwhile, his wife, Mumtaz, a skilled beautician who takes pride in her work and role as breadwinner, feels stifled and unfulfilled with Haider and his father’s expectations that she will bear him a son.
This poignant, sharply droll debut from director Saim Sadiq was the first Pakistani film at Cannes, where it won the Queer Palme Award. Joyland weaves a rich tapestry of complex characters, finding moments of intimacy and grace as it explores a patriarchal family bursting at the seams with sexual repression and buckling under cultural pressures and expectations of gender and tradition.
Tartly funny and plungingly sad in equal measure, this is nuanced, humane queer filmmaking.”—Guy Lodge, Variety
Jury Prize, Cannes 2022 (Un Certain Regard)
Community Partner
Ali Junejo, Alina Khan, Rasti Farooq, Sarwat Gilani, Sohail Sameer, Salman Peerzada, Sania Saeed
Pakistan
2022
In Urdu and Punjabi with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
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Ugly Cry
When her ugly cry costs an aspiring actor her dream role, she takes desperate measures in pursuit of perfection. A cheeky injection of dark humour and delirium, this genre-bending psychological thriller takes a clever jab at internet-age beauty standards.
Mouse
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Image: © Nate Hurtsellers and Luke Dyra
Close-Up
Kiarostami’s Close-Up blurs documentary and fiction through the story of Hossein Sabzian, who impersonates filmmaker Mohsen Makhmalbaf. The film questions what “real” means on screen while creating an undeniable feeling of realism.
First Comes Love: Nakabingwit
An engaging hybrid documentary with a rom-com aesthetic, First Comes Love: Nakabingwit follows Canadian women in the Filipino diaspora as they search for the language to discuss race, privilege, and love with their white romantic partners.
Death Has No Master
When Caro returns to Venezuela to sell her late father’s cacao plantation, she finds the family mansion occupied by its former staff, who have no intention of leaving. After legal action proves ineffectual, Caro decides to dispense justice herself.
Credits
Executive Producer
Riz Ahmed, Ramin Bahrani, William Olsson, Jen Goyne Blake, Tiffany Boyle, Elsa Ramo, Oleg Dubson, Kathrin Lohmann, Hari Charana Prasad, Sukanya Puvvula, Owais Ahmed
Producer
Apoorva Charan, Sarmad Khoosat, Lauren Mann, Kathryn M. Moseley, Oliver Ridge, April Shih, Katharina Otto-Bernstein
Screenwriter
Saim Sadiq
Cinematography
Joe Saade
Editor
Jasmin Tenucci, Saim Sadiq
Production Design
Kanwal Khoosat
Original Music
Abdullah Siddiqui
Director
Saim Sadiq
Saim Sadiq’s film Joyland (2022) is the first Pakistani feature to be screened at Cannes. His film Darling (2019), which won the Orizzonti Prize for Best Short Film at the Venice Film Festival, was also an official selection at TIFF and won a Special Jury Mention award at SXSW. His previous short film Nice Talking to You (2018) was also an official selection at SXSW, as well as other festivals. He is currently writing the film adaptation of the novel Hotel on the Corner of Bitter and Sweet.