Unemployed and living in the emasculated shadow of his father and older brother, Haider, a shy, softspoken man, eagerly accepts a job at a theatre as a backup dancer for Biba, a trans woman trying to make her way as an erotic dancer. Hiding the truth of his work from his family—who have secrets of their own—Haider gradually falls into an intimate affair with Biba. Meanwhile, his wife, Mumtaz, a skilled beautician who takes pride in her work and role as breadwinner, feels stifled and unfulfilled with Haider and his father’s expectations that she will bear him a son.
This poignant, sharply droll debut from director Saim Sadiq was the first Pakistani film at Cannes, where it won the Queer Palme Award. Joyland weaves a rich tapestry of complex characters, finding moments of intimacy and grace as it explores a patriarchal family bursting at the seams with sexual repression and buckling under cultural pressures and expectations of gender and tradition.
Tartly funny and plungingly sad in equal measure, this is nuanced, humane queer filmmaking.”—Guy Lodge, Variety
Jury Prize, Cannes 2022 (Un Certain Regard)
Community Partner
Ali Junejo, Alina Khan, Rasti Farooq, Sarwat Gilani, Sohail Sameer, Salman Peerzada, Sania Saeed
Pakistan
2022
In Urdu and Punjabi with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Concrete Land
Filmed over eight years, Concrete Land follows the Najar family, one of Jordan’s last Afro-Palestinian-Bedouin families, as luxury villas close in on their grazing space outside Amman. Asmahan Bkerat preserves their way of life in the face of erasure.
A Wish Come True: The Making of Obsession with Producer Haley Johnson
Producer Haley Johnson takes us behind the making of one of the year’s most culturally impactful films, Obsession.
Where the River Begins
This immersive, hypnotic film follows an Indigenous mother and daughter on a journey from the slums of Bogotá to their true home in the jungle, joined by a young gang member with an especially urgent reason to flee.
Close-Up
Kiarostami’s Close-Up blurs documentary and fiction through the story of Hossein Sabzian, who impersonates filmmaker Mohsen Makhmalbaf. The film questions what “real” means on screen while creating an undeniable feeling of realism.
I See Buildings Fall Like Lightning
Having navigated every rite of passage together, five childhood friends now find themselves drifting apart. Clio Barnard conspires with a stellar ensemble to bring these richly detailed, fascinatingly flawed characters to life.
Image: © Chris Harris
Credits
Executive Producer
Riz Ahmed, Ramin Bahrani, William Olsson, Jen Goyne Blake, Tiffany Boyle, Elsa Ramo, Oleg Dubson, Kathrin Lohmann, Hari Charana Prasad, Sukanya Puvvula, Owais Ahmed
Producer
Apoorva Charan, Sarmad Khoosat, Lauren Mann, Kathryn M. Moseley, Oliver Ridge, April Shih, Katharina Otto-Bernstein
Screenwriter
Saim Sadiq
Cinematography
Joe Saade
Editor
Jasmin Tenucci, Saim Sadiq
Production Design
Kanwal Khoosat
Original Music
Abdullah Siddiqui
Director
Saim Sadiq
Saim Sadiq’s film Joyland (2022) is the first Pakistani feature to be screened at Cannes. His film Darling (2019), which won the Orizzonti Prize for Best Short Film at the Venice Film Festival, was also an official selection at TIFF and won a Special Jury Mention award at SXSW. His previous short film Nice Talking to You (2018) was also an official selection at SXSW, as well as other festivals. He is currently writing the film adaptation of the novel Hotel on the Corner of Bitter and Sweet.
