Canada/France
2021
In English and French with English subtitles
Featured in:
VIFF Short Forum: Program 6
Cinematic form is given to life’s big mysteries: luck and fate, love and loss, and the spiritual supernatural.
Missing VIFF? Check out what's playing at the VIFF Centre
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Kindergarten
In this charming Quebecois documentary, we are invited to look closely at the interactions of children between the ages of 1 and 5, a period in which they are just beginning to learn about social interactions. And yet how much they resemble ourselves!
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
A Sad and Beautiful World
This Lebanese love story chronicles the romance between a level-headed businesswoman and a romantic restauranteur across several decades in wartorn Beirut. It's funny, charming, melancholy and you'll feel it all.
Edie Arnold is a Loser + Q&A
Loaded with breakneck gags in the spirit of Scott Pilgrim, but with a distinctly female-centered point of view, Megan Rico and Kade Atwood's hilarious teen comedy hits VIFF Centre on its 16 city whistlestop North American tour. Filmmaker Q&A.
Credits
Producer
Marion Pillas
Cinematography
Kendra McLaughlin
ANIM
Guangli Liu
Editor
Kendra McLaughlin, Yuyan Wang
Director
Kendra McLaughlin
Kendra McLaughlin is a Canadian artist and researcher working with moving images. Her hybrid films often dialogue between inquiry and emotion, investigating how notions of memory, belonging, and trauma inform human relationships to land. She has participated in Le Fresnoy’s studio program and in Bruno Latour’s School of Political Arts (SPEAP), and received a Master’s in Human Rights from Sciences Po, and a Bachelor’s in Visual and Environmental Studies from Harvard University.


