Sasha Mark, Josh Dohy
Canada
2022
English
Frightening scene
Featured in:
VIFF Short Forum: Program 3
The camera eye knows no bounds in these stories that push the limits of gravity and grace.
Missing VIFF? Check out what's playing at the VIFF Centre
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Kindergarten
In this charming Quebecois documentary, we are invited to look closely at the interactions of children between the ages of 1 and 5, a period in which they are just beginning to learn about social interactions. And yet how much they resemble ourselves!
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
A Sad and Beautiful World
This Lebanese love story chronicles the romance between a level-headed businesswoman and a romantic restauranteur across several decades in wartorn Beirut. It's funny, charming, melancholy and you'll feel it all.
Edie Arnold is a Loser + Q&A
Loaded with breakneck gags in the spirit of Scott Pilgrim, but with a distinctly female-centered point of view, Megan Rico and Kade Atwood's hilarious teen comedy hits VIFF Centre on its 16 city whistlestop North American tour. Filmmaker Q&A.
Credits
Executive Producer
Corey Payette, Melissa Tsang
Producer
Rylan Friday, Jordan Waunch, Cole Vandale
Screenwriter
Rylan Friday
Cinematography
Diana Parry
Editor
Sophia Biedka
Production Design
Shona Vass
Original Music
Conan Jurek Karpinski
Director
Rylan Friday
Rylan Friday is an award-winning filmmaker and curator from Cote First Nation, Saskatchewan. His focus is to bring honest representations to the LGBTQ2+ and Indigenous communities. He recently produced Trevor Mack’s debut feature Portraits From a Fire and implemented a peer-to-peer youth mentorship.
He was the first openly gay Indigenous filmmaker to head an iteration of VIFF’s Catalyst Mentorship Program, and curated the highly successful #Indigeneity series for Reel Causes. His short This Bright Flash (2016) has screened at VIFF, Fairy Tales Queer Film Festival, and in Mexico City’s Festival Mix: Film & Sexual Diversity.



