Canadian Premiere
Thirty-something Marina is going about her life as a dutiful daughter, girlfriend and teacher when she wakes up one day to a completely new face. She promptly cuts herself off from friends and colleagues while pouring through personal and family archives to make sense of the surreal development. But with no practical solution in sight, she must contend with this new person staring back in the mirror. And suddenly, a world of possibility opens up. In her sophomore feature outing, Melisa Liebenthal (The Pretty Ones, IFFR 2016) continues to prod our image-obsessed culture with a, now signature, lighthearted touch. Once again using her own image as a starting point, she notably expands on her storytelling repertoire and crafts a textured study of one’s sense of identity that taps into both our collective nightmares and fantasies. She deftly plays with hybrid narrative and visual techniques while drawing from anthropological references, resulting in a delightfully cheeky thesis on the power of appearances.
C.I.C.A.E. Award, Berlin 2023
October 5 & 7: Q&A with director Melisa Liebenthal
Presented by
Rocío Stellato, Vladimir Durán, Camila Toker, Roberto Liebenthal, Irene Bosch, Federico Sack
Argentina
2022
Vanguard
In Spanish with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Eugenia Campos Guevara, Agustín Gagliardi
Producer
Eugenia Campos Guevara
Screenwriter
Agustín Godoy, Melisa Liebenthal
Cinematography
Inés Duacastella
Editor
Florencia Gómez García
Original Music
Inés Copertino
Director
Melisa Liebenthal
Melisa Liebenthal’s work reflects on identity and its relation to the construction of an image. Her films explore and combine different materials with humor and playful spirit, from documentary and visual experimentation to narrative fiction, always keeping a lively awareness of the specificity of each type of image. Liebenthal is a film graduate at Universidad del Cine in Argentina and at Le Fresnoy – Studio National des Arts Contemporains in France. She specialized in Editing and Dramatic Structure with professor Miguel Pérez in Argentina, and in Essay-Film at Escuela Internacional de Cine y Televisión (EICTV) in Cuba. She is a Berlinale Talents (2021) and FID Campus (2018) alumni.
Filmography: The Pretty Ones (2016)
Missing VIFF? Check out what's playing at the VIFF Centre
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
Spring After Spring
Three daughters strive to live up to the standards set by their mother Marie Mimi Ho, and keep Vancouver Chinatown's Spring Parade going through thick and thin, in this enormously affectionate local documentary by Jon Chiang.
Song Sung Blue
Lightning and Thunder (Hugh Jackman and Oscar nominee Kate Hudson), are Milwaukee husband and wife Neil Diamond tribute act who experience soaring success and devastating heartbreak in their musical journey together. Based on a true story.
Mr. Nobody Against Putin
Nominated for the Academy Award for Best Documentary, and Special Jury Prize Winner, Sundance, 2025, this exposé shot by a Russian primary teacher shows how the Putin propaganda machine works to militarize children.
Cutting Through Rocks
Winner of Sundance's World Cinema Documentary Grand Jury Prize, Cutting Through Rocks follows Sara Shahverdi — motorcyclist, midwife, and first-ever councilwoman elected in her Iranian village. A vérité triumph by Sara Khaki & Mohammadreza Eyni.
The Painted Life of E.J. Hughes
A beautiful portrait of E.J. Hughes, who quietly helped reshape the artistic landscape of British Columbia in the 20th century. This extraordinary documentary explores Hughes’s legacy not only as an artist, but as a devoted, humble human being.