Heir to an illegal gambling business owned by his murdered father, Valerio spends his days working for his uncle Linduarte, teetering on the edge of bankruptcy while dreaming of getting out and going straight with his wife Regina. But when the opportunity presents itself, Valerio and Regina’s desperate stab at a new life leaves them embroiled in a downward spiral of treachery and corruption. Blinded by greed and beset by paranoia, the couple is swept into the violent undertow of Rio de Janeiro’s criminal underworld, leaving behind a bloody wake of bodies and betrayal.
One of Brazil’s most-anticipated films of the year, Fernando Coimbra’s successor to 2013’s A Wolf at the Door is a blood-soaked crime thriller that marries the darker shades of the Coen Brothers’ irony to the melodramatic flourishes of Shakespeare, finding inspiration in the murderous scheming of Macbeth, the obsession and revenge of Hamlet, and the violent excess of Titus Andronicus. Carnival is Over is a withering social critique wrapped in a bleakly comic tragedy where no one is left unscathed.
Leandra Leal, Irandhir Santos, Thiago Thomé, Pêpê Rapazote, Ernani Moraes, Augusto Madeira
Brazil/Portugal
2024
In Portuguese with English subtitles
At Vancouver Playhouse
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Rui Pires, Daniela Antonelli Aun, Gabriela Tocchio, Ana Saito, Pablo Torrecillas, João Fonseca, Fernando Fraiha, Rodrigo Castellar, José Alvarenga Júnior, Leandra Leal, Marcio Fraccaroli, Veronica Stumpf
Producer
Caio Gullane, Fabiano Gullane, André Novis, Fernando Coimbra, Luís Galvão Teles, Gonçalo Galvão Teles
Screenwriter
Fernando Coimbra
Cinematography
Júnior Malta
Editor
Karen Harley
Production Design
Caio Costa, Rafael Torah
Original Music
Thiago França
Fernando Coimbra
Fernando Coimbra is a screenwriter and director who was born in Ribeirão Preto, Brazil. He graduated in Film and Video from the University of São Paulo in 1999. His debut feature, A Wolf at the Door (2013), won Best Film at San Sebastián in the Latinos Horizontes section. Coimbra also directed episodes of Narcos and Netflix’s Sand Castle (2017). His latest film, Carnival is Over, was developed at the 2015 Sundance Screenwriter Lab and received the institute’s Global Filmmaking Award.
Filmography: A Wolf at the Door (2013); Sand Castle (2017)
Missing VIFF? Check out what's playing at the VIFF Centre
The Matrix
Can a computer hacker save the world? Maybe if you hack deep enough... One of the most influential movies of the past quarter-century. The Matrix didn't just change the way films looked and moved, it altered the way we perceived the world(s).
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
Office Space
This razor sharp comedy from Mike Judge (King of the Hill) captures the indignities of life as a wage slave with rare acumen and caustic wit. Evidently the impending millennial bug weighed heavily on people's minds back in 1999.