Set in a remote mining town in the Chilean desert, this flamboyant 80s neo-western centers on a commune of queer outcasts, where 11-year-old Lidia lives with her mother. When her mom’s abusive ex-lover reappears in their lives, leading to a tragic outcome that robs the little girl of her closest confidante, the rest of the group bands around her to guide her through grief, anger, and need for revenge.
Recipient of Un Certain Regard’s top honour at this year’s Cannes Film Festival, Diego Céspedes’s exquisite, uniquely textured feature debut is as cutting as it is tender in its portrait of a marginalized community standing in their power. The tragedy at its core is handled with tremendous poise and insight, unapologetically mining the fascination and resentment that the mystery of otherness invites. Artfully threading surrealist touches and singularly eccentric narrative solutions, The Mysterious Gaze of the Flamingo is one of cinema’s latest gems.
Best Film: Un Certain Regard, Cannes 2025; Oscar Submission: Chile
Community Partner
Tamara Cortés, Matías Catalán, Paula Dinamarca, Claudia Cabezas, Luis Dubó
Chile/France/Germany/
Spain/Belgium
2025
In Spanish with English subtitles
Bullying, domestic violence
At VIFF Centre
At Fifth Avenue
Book Tickets
Credits & Director
Producer
Giancarlo Nasi, Justin Pechberty, Damien Megherbi
Screenwriter
Diego Céspedes
Cinematography
Angello Faccini
Editor
Martial Salomon
Production Design
Bernardita Baeza
Original Music
Florencia Di Concilio
Diego Céspedes
Diego Céspedes is a Chilean filmmaker. In 2018, he wrote and directed his first short film, The Summer of the Electric Lion, which won the Cinéfondation First Prize at Cannes and the Nest Prize at San Sebastián and screened at major international festivals such as Sundance, Palm Springs, Biarritz, and AFI Fest. In 2022, his second fiction short film The Melting Creatures had its world premiere at the Cannes Film Festival’s Semaine de la Critique. The Mysterious Gaze of the Flamingo (2025) is Céspedes’s first feature and was selected for the Un Certain Regard at this year’s Cannes Film Festival.
Filmography: The Summer of the Electric Lion (2018); The Melting Creatures (2022)
Photo by Tom Chenette
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
