Adjusting to her new life as a mother after the traumatic birth of her son, Pénélope (Rose-Marie Perreault) witnesses a violent robbery that triggers memories of her sister’s death. Sleep deprived and sick of her complacent, selfish boyfriend Gaspard (Simon Landry-Désy), Pénélope tries to find solace and affection with her ex, Edward (Saladin Dellers), but finds herself constantly exhausted by her baby’s needs and haunted by nightmarish visions of her sister. Feeling increasingly trapped and claustrophobic by motherhood and drowning in repressed memories, Pénélope begins to act in paranoid and erratic ways as her grasp on reality begins to waver.
Nesting is a bold and mesmerizing debut feature from director Chloé Cinq-Mars, who merges oneiric imagery with visceral suspense to grapple with the myriad realities and betrayals of Pénélope’s mind and body. A tense psychological thriller anchored by an electric lead performance, the film’s unsettling atmosphere crackles with sublimated desire and subtle body horror as it explores the effects of postpartum depression with an unflinching gaze.
Best Director: Northern Excellence, Fantasia 2025
Oct 10 & 12: Q&A
Presented by
![]()
Media Partner
Community Partner
Rose-Marie Perreault, Simon Landry-Désy, Saladin Fellers
Canada
2025
In French with English subtitles
Sexually suggestive scenes, nudity
Open to youth
Book Tickets
Credits & Director
Producer
Nicolas Comeau, Jean-marc Fröhle
Screenwriter
Chloé Cinq-Mars
Cinematography
Léna Mill-Reuillard
Editor
Elric Robichon
Original Music
Nicolas Rabaeus
Chloé Cinq-Mars
Nesting is the first feature film directed by Chloé Cinq-Mars. She has worked on numerous films, both short and feature-length, primarily as a screenwriter, but also as an acting coach, casting director, script consultant, and more.
She wrote the screenplay for the feature film The Far Shore (2018) and wrote and directed the short film The Cut (2019), which explores maternal attachment. She is also a mother.
Filmography: The Cut (2019)
Missing VIFF? Check out what's playing at the VIFF Centre
Joan Crawford in... Letty Lynton
This would be your first chance to see one of Joan Crawford's prime pre-Code films since 1936, a salacious melodrama about a socialite (Joan Crawford) accused of poisoning her ex lover.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Jack Johnson: Surfilmusic
This new documentary chronicles Jack Johnson's evolution from surfer to filmmaker to world-renowned musician. The film traces how Jack's early years making surf films with close friends became a foundation for a much broader creative life.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.


