Following their beloved mother’s passing, sisters Nora (Renate Reinsve), a neurotic stage actress, and Agnes (Inga Ibsdotter Lilleaas), a selfless therapist, must contend with their long-absent father Gustav (Stellan Skarsgård) barging back into their lives. A once-revered film director now barely evading obscurity’s undertow, he believes that a new, deeply personal project can salvage his career. But when Nora refuses the role he wrote specifically for her, Gustav finds a new muse in an eager but unpolished Hollywood star (Elle Fanning), sending his botched reconciliation spiraling further into chaos.
Joachim Trier’s superb follow-up to The Worst Person in the World sees him collaborating once more with Reinsve to craft an endlessly expressive, utterly transfixing protagonist whose mercurial nature keeps us on tenterhooks. Skarsgård’s knack for finely calibrated gestures is likewise a wonder to behold, pitting Gustav’s oversized ego against his burgeoning conscience as they wrestle for dominion. Abetted by outstanding performances, Trier mines both humour and heartbreak from these damaged souls’ attempts to mend their frayed family ties.
Grand Prix, Cannes 2025; Oscar Submission: Norway
Joachim Trier
Renate Reinsve, Stellan Skarsgård, Elle Fanning, Inga Ibsdotter Lilleaas
Norway/France/Denmark/
Germany/Sweden/UK
2025
In English and Norwegian with English subtitles
Book Tickets
Credits
Executive Producer
Eva Yates, Tom Quinn, Jeff Deutchman, Alexandre Mallet-Guy, Fridrik H. Mar, Magnus Thomassen, Kristina Börjeson, Anders Kjærhauge, Ola Strøm, Solène Léger, Nancy Grant, Renate Reinsve, Stellan Skarsgård, Joachim Trier, Eskil Vogt
Producer
Maria Ekerhovd, Andrea Berentsen Ottmar
Cinematography
Kasper Tuxen Andersen
Editor
Olivier Bugge Coutté
Production Design
Jørgen Stangebye Larsen
Original Music
Hania Rani
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
House of Hope
"House of Hope" is the name of a Waldorf elementary school near Jerusalem in the occupied West Bank, founded by Manar and her husband Milad. This documentary follows their efforts to go about their lives before, during, and after the events of October 7.
Halloween Live! The Crypt Keepers + The Day of the Beast
Amp up your Halloween with a unique live set of holidays cuts from The Crypt Keepers, followed by Alex de la Iglesias's cult comic horror Day of the Beast, a wild ride about a sinful Catholic priest on the warpath against Satan.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.