Travelling north to freedom through a “strange and ruthless land”, teenager Cécile (Mallori Johnson) and her mother are offered lodgings by the affluent Florence (Lauren Lee Smith), who habitually opens the doors of her lavish manor to refugees. As Cécile falls into a giddy sexual relationship with a young gardener (Idrissa Sanogo Bamba), Florence’s sheltered daughter Fanny (Angourie Rice) develops a voyeuristic obsession. Little do they know, a terrible secret lurks at the heart of the estate.
Set in a stylized world that fusing aesthetics of the antebellum South, occupied Europe, and Algiers, this “tale of two princesses” draws inspiration from the true story of Cecilia Reynolds, a 15-year-old who escaped from slavery in 1846. With its foreboding sound design, expressive lighting, and ominously floating camerawork, Steal Away cultivates a sustained, slow-burning tension. Fans of Get Out and Rosemary’s Baby will be engrossed by this twisty psychological thriller from Clement Virgo, whose previous film Brother (VIFF 2022) earned 12 Canadian Screen Awards.
Oct 6 & 8: Q&A
Angourie Rice, Mallori Johnson, Lauren Lee Smith, Idrissa Sanogo Bamba
Canada/Belgium
2025
In English, French, Lingala with English subtitles
At Vancouver Playhouse
At Fifth Avenue
Book Tickets
Credits & Director
Executive Producer
Caitlin Grabham, Paula Devoshire, Laurie May, Noah Segal, Fred Roos, Anna-Nora Bernstein, Andrew Low
Producer
Damon D’Oliveira, Peter De Maegd, Clement Virgo, Tom Hameeuw
Screenwriter
Tamara Faith Berger, Clement Virgo
Cinematography
Sophie Winqvist Loggins
Editor
Jorge Weisz
Original Music
Fjóla Evans
Production Design
Elisa Sauvé
Clement Virgo
Filmography: Rude (1995); The Planet of Junior Brown (1997); Love Come Down (2000); Lie with Me (2005); Poor Boy’s Game (2007); Brother (2022)
Missing VIFF? Check out what's playing at the VIFF Centre
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.