North American Premiere
Fresh off the Locarno Film Festival, Bảo Lê makes his North American VIFF entrance with this lush, meticulously composed feature debut that unfolds as a series of film tableaux, drawing on moments in the life of a middle-aged mechanic whose work involves installing decibel meters across public spaces. At home, he anticipates the deafening silence of his mother’s passing.
Blending audio parameters into its narrative, Hearing rides the ebbs and flows of characters’ daily rhythms, using soundscape as an emotional regulator — from village raves to moments of quiet stillness in the beautiful Vietnamese forests. Scenes glide into each other like visual poems, revealing themselves through sequences of measured exchanges, all speaking to deeper existential truths. Within each frame is a world sensory abundance and meditation on presence. This is slow cinema at its finest register.
Media Partner
Tuấn Quốc Nsưt Nguyễn, Tản Ngọc Nsưt, Huyền Khánh, Quyên Tiểu, Hùng Minh, Uẩn Công Nguyễn
Vietnam/Singapore/
Norway/France/
Indonesia/Saudi Arabia/
Cambodia/Thailand/Taiwan
2026
In Vietnamese with English subtitles
Indigenous & Community Access
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Credits & Director
Executive Producer
Dũng Anh Trần, Oanh Thị Kim Nguyễn, Hoan Trinh Nguyễn, Chartchai Ketnust, Julien Lacorne
Producer
Elizabeth Wijaya, Weijie Lai, Yến Huỳnh
Screenwriter
Bảo Lê
Cinematography
Phúc Vinh Nguyễn
Editor
Carlo Francisco Manatad, Dounia Sichov
Production Design
Thanh Văn Lê
Original Music
Mental Overdrive
Bảo Lê
Lê Bảo’s interest in cinema began when he was a little boy looking through the small window of his house that sits by a river in Saigon. In his youth, he watched foreign films on his computer, and he trained himself to be a filmmaker using a borrowed camera to make his first short film. His debut feature, Taste (2021), was shot with non-professional actors in the places he has known all his life. Hearing (2026) is his ode to the people and places he loves.
Filmography: Taste (2021); Hearing (2026)
Vanguard
See more films in this series
Hearing
Bảo Lê makes a notable entrance with this lush, meticulously composed feature debut that unfolds as a series of film tableaux drawing on moments in the life of a middle-aged mechanic whose work involves installing decibel meters across public spaces.
Forest High
High in the northern Alps, three women take turns caring for a mountain lodge as hikers come and go. Divided into three sections, we follow each caretaker as they settle in for their respective season and have their lives touched in different ways.
Image: © The Blue raincoat
Lust
Ralitza Petrova follows her Golden Leopard–winning debut with an emotionally textured drama about a middle-aged prison psychologist whose carefully managed routine unravels when she must travel to Bulgaria to settle her late, estranged father’s affairs.
Image: © Aporia Filmworks_Screening Emotions
I Plant My Hand in the Garden
Boris and Hoda, a newly married couple from Serbia and Iran, respectively, embark on a new chapter of their lives in Berlin. As they anticipate the birth of their child, they refuse to be defined by societal expectations.
Hear the Yellow
Suna returns to her native Anatolian village for her nephew’s wedding, where the mystery of her sister’s disappearance still looms over the small community. Determined to finally get to the bottom of it, she must reckon with complicated circumstances.
Image: © Anagraffilm
Ana, En Passant
Fernanda Salgado makes an elegant feature debut with this lyrical animated drama about a young Black woman returning to her late grandmother’s native town in Brazil to make sense of distant memories and her family’s legacy.
