Canadian Premiere
On the heels of their Belgrade nuptials and with a child on the way, Boris and Hoda (played by real-life actor-writer-director duo Boris Hadžija and Hoda Taheri) are a young couple ready to embark on a new chapter of their lives in Berlin. Boris is a gay man hailing from Serbia; Hoda an Iranian refugee; together, they choose to build a life that’s unique to them. With the last of their bureaucratic hurdles out of the way and Hoda’s EU passport in hand, they relax into a more unconventional lifestyle, slowly building their nest while indulging in casual sexual encounters on the side.
Hadžija and Taheri lean on their own experiences in this idiosyncratic docufiction that flips the script on immigrant narratives. I Plant My Hand in the Garden sidesteps melodrama, instead drawing on generational wisdom, dinner table and bedside conversations, and characters that refuse to be defined by societal expectations. This is reflected in its formal playfulness, with plotlines that glitch and reset on a whim.
Media Partner
Community Partner
Hoda Taheri, Boris Hadzija, Branka Hadžija, Jahandokht Taheri, Hadi Khanjanpour
Germany/Serbia/USA
2026
In English, Farsi, German, and Serbo-Croatian with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Maximilian Feldkamp, Hoda Taheri, Boris Hadžija, Čarna Vučinić, Ena Bajraktarević
Screenwriter
Boris Hadžija & Hoda Taheri
Cinematography
Vytautas Katkus
Editor
Boris Hadžija
Production Design
Michael Schindlmeier
Boris Hadžija
Boris Hadžija is a Serbian-Montenegrin filmmaker and pianist based in Berlin. After his master studies in classical piano at the Faculty of Music in Belgrade, Hadžija studied film directing at the German Film and Television Academy Berlin. His work includes the short films Mother is a Natural Sinner (2024) and Yugotransport (2023), as well as his debut feature, I Plant my Hand in the Garden (2026) which premiered in the Giornate degli Autori section of the Venice Film Festival.
Photo by Ruan Lanxi
Hoda Taheri
Hoda Taheri is an Iranian-German artist and filmmaker based in Berlin. She received a bachelor’s degree in visual communication from Limkokwing University in Malaysia and studied film directing at the German Film and Television Academy Berlin. Her Mother Trilogy premiered over three consecutive years at the Locarno Film Festival (2022–2024). Her debut feature I Plant My Hand in the Garden premiered in the Giornate degli Autori section of the 2026 Venice Film Festival.
Photo by Ruan Lanxi
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
