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Into the Jaws of the Ogre film image; man playing a guitar

Into the Jaws of the Ogre

Dans la gueule de l’ogre

Spectrum

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Canadian Premiere

Several years after leaving Iran and resettling in France, filmmaker Mahsa Karampour travels to the USA to reconnect with her younger brother, Siavash — a gregarious indie rock musician who’s encountered fleeting success and considerable tragedy in New York City. As the two wander the metropolis’s streets, then hit America’s highways, memories of their life in Tehran begin to resurface, leading Siavash to find solace in various guises and personas.

Adopting the structure and soulfulness of a classic road movie — combined with the brashness of one of Siavash’s punk anthems — Karampour’s disarmingly intimate documentary investigates the complexity of familial bonds. She reveals the toll of living between worlds, while reminding us that filmmaking can sometimes serve as a form of healing. Guided by curiosity and handled with tremendous care, Into the Jaws of the Ogre is an enthralling example of humanist filmmaking.

 

Supported by

Community Partner

Director
Featuring

Siavash Karampour

Credits
Country of Origin

France

Year

2026

Language

In Persian and English with English subtitles

Film Contact
18+
87 min
Art, Music & Photography Documentary Family Relations Women Directors
Les films du Bilboquet

Book Tickets

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Credits & Director

Producer

Mathilde Raczymow

Cinematography

Cédric Dupire, Mahsa Karampour

Editor

Saskia Berthod

Mahsa Karampour headshot

Mahsa Karampour

Born in Iran, Mahsa Karampour has lived in France since 2003. Alongside her sociology studies at EHESS (Paris), she pursued a cinema program at the Sorbonne Nouvelle University. A graduate in filmmaking from the École documentaire de Lussas, she leads film workshops, works as a camera and sound operator, and contributes to festival programming. In 2024, she performed as an actress in a stage adaptation of Abbas Kiarostami’s Ten directed by Guilda Chahverdi. Into the Jaws of the Ogre (2026) is her first feature film.

Photo by Marie Guichzoua

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