Happyend
Neo Sora (Ryuichi Sakamoto: Opus) fuses teen high school comedy and political protest to winning effect in this raucous, creative, and poignant "story of the near future." It features earthquakes, digital surveillance, thumping techno music, and more...
Holy Cow
Compelled to look after his kid sister after their father dies, 18-year-old Totone resolves to try his hand at cheese-making, no matter that he has no budget and no experience. This earthy coming of age movie finds good reasons to think he'll succeed.
House of the Seasons
Distinguished by its complexity, its fine ensemble cast, and the beauty of its exteriors, this is a rich, relatable family drama. Making his feature debut, Oh Jung-min uses the seasons to create visual splendour and deep metaphorical power.
Hyenas
Mambéty’s follow-up to Touki-Bouki is a mocking satire on post-colonial Senegal: a now-rich woman returns to her poor desert hometown to propose a deal: her fortune, in exchange for the death of the man who abandoned her and left her with his child.
I Saw Three Black Lights
In this quietly profound drama, a wise old shaman embarks on a final journey into the Colombian jungle to settle a spiritual debt and reconnect with his late son. A cinematic love letter to ancient traditions, steeped in the lush, immersive rainforest.
I’m Still Here
Walter Salles (Central Station; Motorcycle Dairies) adapts the 2015 memoir by Marcelo Rubens Paiva, an account of a family torn apart by the "disappearance" of a former congressman at the hands of the military dictatorship in Brazil, 1971.
Inay (Mama)
Bold and deeply personal, Inay investigates the emotional and psychological repercussions of Canada's Live-In Caregiver Program, which attracted Filipino women migrant workers who left their children to care for strangers out of economic necessity.
Inedia
Liz Cairns makes a mesmerizing feature debut that sees a young woman suffering from mysterious food allergies join a remote island community practicing alternative healing methods. She soon realizes that not everything is as it seems.
Investigation of a Citizen Above Suspicion
A police chief murders his mistress, in an effort to prove that his position in society makes it impossible for him to be caught. Petri’s Cannes and Oscar-winning 1970 film is part pitch-black satire, part police-procedural, part psychological thriller.
It’s Not Me
“Where are you at, Leos Carax?” To this question, the French filmmaker assembles an unpredictable essay-film made in the spirit of the late Jean-Luc Godard—an endlessly inventive self-portrait of an artist reflecting on his place in cinema history.
Jeremy Dutcher & Alanis Obomsawin
Two of the most compelling voices in Indigenous music and cinema meet for an intimate, unique, and unforgettable evening of intergenerational story and song featuring award-winning Wolastoqiyik tenor and composer Jeremy Dutcher and renowned Abenaki filmmaker and musician Alanis Obomsawin.