Given his own limited abilities and the present danger of physical injury, filmmaker Nikita Diakur decides to teach his computer-generated avatar to do a backflip; what follows is priceless.
Nikita Diakur
Germany/France
2022
English
Featured in:
MODES 3
Whimsical, questioning and utterly absorbing, a collection of animated work delving into worlds of wonder, subversion, and Marxist mystery. These works are fun and some re-construct ideas of animation, paying homage to experimentalists who came before.
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La Haine
This angry French thriller about alienated kids (a skinhead, an Arab, and an African) in the working class outskirts of Paris plays like a cross between Do the Right Thing and Mean Streets. French cops turned their backs on the red carpet at Cannes.
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Casino
Revisiting the wise guy milieu for the third (but not the final) time, Scorsese tells the story of Ace Rothstein and Nicky Santoro (Robert De Niro and Joe Pesci), two New York hoodlums who become major players in the history of Las Vegas.
Amadou & Mariam: The Blind Couple From Mali
This lovely portrait of the irresistible Malian musicians traces how the blind couple met in Bamako and instantly connected, their triumphs on the world stage and collaborations with the likes of Chris Martin, Damon Albarn and Manu Chao.
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Credits
Producer
Emmanuel-Alain Raynal, Pierre Baussaron, Nikita Diakur
Screenwriter
Nikita Diakur
Cinematography
Gerhard Funk, María Guadalupe Anaya Alderete
ANIM
Nikita Diakur
Editor
Nikita Diakur
Original Music
avia.ai, thunderkamp
Director
Nikita Diakur
Nikita Diakur is a Russian-born filmmaker based in Germany. He is best known for his projects Ugly (2017) and Fest (2018), which have received critical acclaim at film festivals around the world. His signature style is dynamic computer simulation that embraces spontaneity, randomness, and error.