Given his own limited abilities and the present danger of physical injury, filmmaker Nikita Diakur decides to teach his computer-generated avatar to do a backflip; what follows is priceless.
Nikita Diakur
Germany/France
2022
English
Featured in:
MODES 3
Whimsical, questioning and utterly absorbing, a collection of animated work delving into worlds of wonder, subversion, and Marxist mystery. These works are fun and some re-construct ideas of animation, paying homage to experimentalists who came before.
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Hanami
On the volcanic island Cape Verde, young Nana is on the cusp of self-discovery. When her long-absent mother returns, the lyricism and magic of Nana's childhood take a different shape. Winner of the Best Emerging Director Award, Locarno Film Festival.
Total Recall
The master of the subversive blockbuster, Paul Verhoeven concocts a film about corporate mind-control vs. revolutionary uprising by setting it on Mars and allowing for the possibility the whole thing is just an escapist fantasy...
Reservoir Dogs
Quentin Tarantino announced himself to the world with this ingeniously fractured heist movie, carved into character-centric chapters, riffing breezily on pop culture, but counterpointing all this with blood-soaked intensity.
Jacob's Ladder
Ever feel you're losing your mind? Jacob Singer (Tim Robbins) comes back from the Vietnam War with a firefight in his head. Sanity is a losing battle in Adrian Lyne's terrifying psychological thriller.
True Romance
Rockabilly comic book clerk Clarence (Christian Slater) meets dream girl Alabama (Patricia Arquette) with trouble in her wake, in this seminal couple on the run thriller from Quentin Tarantino's excitable mind.
Credits
Producer
Emmanuel-Alain Raynal, Pierre Baussaron, Nikita Diakur
Screenwriter
Nikita Diakur
Cinematography
Gerhard Funk, María Guadalupe Anaya Alderete
ANIM
Nikita Diakur
Editor
Nikita Diakur
Original Music
avia.ai, thunderkamp
Director
Nikita Diakur
Nikita Diakur is a Russian-born filmmaker based in Germany. He is best known for his projects Ugly (2017) and Fest (2018), which have received critical acclaim at film festivals around the world. His signature style is dynamic computer simulation that embraces spontaneity, randomness, and error.