Jamphel Gyatso, Leyki Palmo, Dorjee Chodon, Pema Wangmo, Tashi Dhundup, Dolma Tsamchoe
Canada
2022
In Tibetan, Tsangla, and English with English subtitles
Coarse language
Featured in:
VIFF Short Forum: Program 3
The camera eye knows no bounds in these stories that push the limits of gravity and grace.
Missing VIFF? Check out what's playing at the VIFF Centre
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Dazed and Confused
The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.
Democracy Under Siege
As the USA turns 250, Oscar-nominated director Laura Nix considers the roots of the current political crisis with commentary from historian Heather Cox Richardson, progressive politician Jamie Raskin, and cartoonist Ann Telnaes, among others.
Credits
Producer
Madeleine Davis
Screenwriter
Kunsang Kyirong
Cinematography
Peter Hagge
Editor
Alexander Farah
Director
Kunsang Kyirong
Kunsang Kyirong is a Canadian filmmaker and animator. Her work draws upon the experience of immigration. Through a hybrid method that integrates documentary elements within fictionalized narratives, she investigates personal relationships within the Tibetan diaspora. Her films use an observational style centered in community members’ natural environments. Her work has screened at Tricycle Magazine and at festivals such as the Ottawa International Animation Festival, the Dharamshala International Film Festival, and the Golden Ger International Film Festival.



