An operatic cine-poem weaving together the stories of African-Canadian singer Portia White, South African chef Phelokazi Ndlwana, and the Free Gender activist group—a Black lesbian organization based in Khayelitsha, a township on the outskirts of Cape Town.
Supported by
Community Broadcast Partner
Community Partner
Chantelle Grant, Vanya Abrahams, Ray McKenna
Canada
2022
English
Sexual Violence
Featured in:
VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
Credits
Screenwriter
John Greyson
Cinematography
John Greyson
Editor
Nick White
Original Music
Bongani Ndodana-Breen
Directors
John Greyson
John Greyson is a Toronto filmmaker whose features, shorts, and new media works include Photo Booth (2022), Lilies (1996), Zero Patience (1993), Fig Trees (2009), and International Dawn Chorus Day (2021). A pioneer of the new Queer Cinema, his films have won four Berlin Teddies, five Canadian Screen Awards, and more than 50 Best Film prizes at festivals, including TIFF, Frameline, Inside Out, Locarno, Berlin, and Torino.
Selected Filmography: The Law of Enclosures (2000); Proteus (2003); Fig Trees (2009); Photo Booth (2022)
Bongani Ndodana-Breen
Bongani Ndodana-Breen is an award-winning South African composer whose operas and symphonic work include Winnie: The Opera, Orange Clouds, and Harmonia Ubuntu. He was awarded the Standard Bank Young Artist Award in 1998, holds a PhD in Composition from Rhodes University, and currently teaches music at Yale University.


