Ken has a perfect spot for a city bench, and is calling the city to share his idea.
Supported by
Community Broadcast Partner
Community Partner
Trevor Anderson, Maurice Krank
Canada
2022
English
Coarse language
Featured in:
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
Missing VIFF? Check out what's playing at the VIFF Centre
Amrum
Twelve-year-old Nanning (Jasper Billerbeck) sets himself a mission to secure bread and honey for his mother to snap her out of her depression. It is 1945. The war is all but lost, and such luxuries are not easy to find on the remote island of Amrum...
The Power of Restitution: The Spoils
Join us for a special free screening of The Spoils, an acclaimed documentary about German-Jewish art dealer Max Stern, followed by a live panel discussion exploring the urgent and evolving global movement for art restitution.
The Music Room
Devan Scott continues his journey through the history of lighting. This week, he credits Indian director of photography Subrata Mitra for profound innovations that laid the foundation for ideas of motivated lighting + screening of The Music Room.
Credits
Producer
Matthew Rankin, Sacha Ratcliffe
Screenwriter
Matthew Rankin
Cinematography
Matthew Rankin
Editor
Matthew Rankin
Director
Matthew Rankin
Matthew Rankin was born in Winnipeg and educated at McGill University and Université Laval. He is the director of some 30 short films and one feature, which have been presented at Sundance, TIFF, SXSW, Annecy International Animation Film Festival, the Berlinale, Cannes Critics’ Week, and on the Criterion Channel. His debut feature, The Twentieth Century (2019) was awarded the Best Canadian First Feature Film at TIFF and the FIPRESCI Prize at the Berlinale.