Canadian Premiere
Lokita is trying to satisfy the authorities that yes, she tracked down her eight-year-old younger brother Tori in a West African orphanage and recognized him—despite not having seen him since he was a baby—and her anxiety is palpable. She’s not a convincing witness. And indeed, Tori is not a blood relation; the pair met up on their grueling odyssey across Europe. But their bond runs deeper than mere opportunism. In a hostile and dangerous environment, they offer one another unstinting love and support. Billeted temporarily in a state-run centre, they work nights side-by-side in an Italian restaurant, and then run “errands” (drugs) for the chef.
The Dardenne brothers work with such consistency at the highest level (Two Days, One Night; The Kid with a Bike; L’enfant), there is a temptation to take their films for granted. That would be a mistake. When so much of cinema is dominated by escapist fantasies of power and strength, the Dardennes have grounded their stories in social realism and empathy for the vulnerable and the weak. Their latest ratchets up the tension and pummels the heart.
Media Partner
Jean-Pierre & Luc Dardenne
Pablo Schils, Joely Mbundu, Alban Ukaj, Tijmen Govaerts, Charlotte De Bruyne, Nadège Ouedraogo, Marc Zinga
Belgium
2022
In French with English subtitles
Book Tickets
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Searching for Satyrus
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Naomi Osaka: The Second Set + Q&A
Kat Jayme, a VIFF audience favourite for The Grizzlie Truth, I'm Just Here for the Riot and Finding Big Country is back with another sports doc, a portrait of the Japanese tennis great Naomi Osaka as she returns to the court after becoming a mom.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
Cookie Queens
A documentary about the annual Girl Scouts' cookie sale is probably not high on your list of must-sees, but don't be too sure — this movie is a delight, a rare celebration of girlhood, supportive family relations, and the art of salesmanship.
Credits
Producer
Jean-Pierre et Luc Dardenne, Delphine Tomson, Denis Freyd
Screenwriter
Jean-Pierre et Luc Dardenne
Cinematography
Benoit Dervaux
Editor
Marie-Hélène Dozo
Production Design
Igor Gabriel
