Two construction workers wander through a hybrid natural-industrial zone by day and night, exploring and discovering seemingly insignificant details. This experimental film is a walking tour through a possibly post-apocalyptic world where the familiar seems alien, invoking a sense of mystery and wonder towards the natural world and our relationship to it. It is a slow, totally visual work with phantasmic nighttime sequences and attention to the tactile (a piece of shale, moss, a shell) as the two men touch, feel, and listen to the world around them. Unsettling and eerie at times, the film never explicitly answers any questions, yet their journey is oddly compelling. With an atmosphere reminiscent of Tarkovsky’s Stalker, the film forces us to find our own interpretations of their explorations.
Community Partner
Luca Ruch, Olivier Matthey
Switzerland
2021
In French with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
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Holy Days
After his mom passes, Brian (Elijah Tamati) is comforted by Sisters Agnes, Luke and Mary Clare (Judy Davis, Miriam Margolyes and Jacki Weaver, respectively). The quirky quartet hit the road to save their convent from being sold to a property developer.
Two Pianos
Once promising concert pianist Mathias (François Civil) returns to his native Lyon after a long absence. He's here to pay homage to his mentor, Elena (Charlotte Rampling). But a chance encounter with an old flame sends him spiraling.
The Golden Spurtle
Each year the sleepy highland village of Carrbridge awakens with excitement as locals and competitors from around the globe vie for the honour of winning The Golden Spurtle in the World Porridge Making Championships.
Best Boy
Sibling rivalry is the name of the game in Jesse Noah Klein's pitch black comedy. Eli, Lawrence and Phillip (who's a woman) reunite after the passing of their father and, in accordance with his last wishes, compete for the prized title of "Best Boy".
Lucid
Art student Mia is struggling with a make-or-break assignment, a self-portrait. It's only when grandma lets slip that her mom used to hypnotize her as a child to blank out the bad bits that she realizes the severity of the challenge...
Credits
Producer
Delphine Jeanneret
Screenwriter
Andrea Bordoli
Cinematography
Andrea Bordoli
Editor
Andrea Bordoli, Noemie Ruben
Original Music
Marco Guglielmetti, Andrea Bordoli
Director
Andrea Bordoli
Andrea Bordoli’s research and practice lies at the intersection between anthropological theory, film, and visual art. His works have been presented in academic settings and exhibited in film festivals and art spaces nationally and internationally. He is currently pursuing a research-creation PhD in Media Anthropology at the University of Bern, Switzerland. Since January 2022, he has been a visiting artist-researcher in the Anthropology Department of McGill University.