Two construction workers wander through a hybrid natural-industrial zone by day and night, exploring and discovering seemingly insignificant details. This experimental film is a walking tour through a possibly post-apocalyptic world where the familiar seems alien, invoking a sense of mystery and wonder towards the natural world and our relationship to it. It is a slow, totally visual work with phantasmic nighttime sequences and attention to the tactile (a piece of shale, moss, a shell) as the two men touch, feel, and listen to the world around them. Unsettling and eerie at times, the film never explicitly answers any questions, yet their journey is oddly compelling. With an atmosphere reminiscent of Tarkovsky’s Stalker, the film forces us to find our own interpretations of their explorations.
Community Partner
Luca Ruch, Olivier Matthey
Switzerland
2021
In French with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
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All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
Heysel 85
This harrowing drama recreates the 1985 European Cup Final in Belgium, when rival football fans clashed before a ball had even been kicked. Teodora Mihal's film captures the hubris, incompetence, and politicking that compounded the escalating chaos.
Yellow Letters
Derya and Aziz, a theatre couple based in Ankara, are celebrating the premiere of their latest play when they find themselves targeted by state investigations. Their lives change practically overnight, they find their political convictions put to the test.
Image: © EllaKnorz ifProductions Alamode Film
Into the Jaws of the Ogre
Having left Iran for France, filmmaker Mahsa Karampour now reunites with her musician brother in America. Mixing the structure of a road movie with the brashness of a punk anthem, this intimate documentary is humanist filmmaking of the highest order.
Credits
Producer
Delphine Jeanneret
Screenwriter
Andrea Bordoli
Cinematography
Andrea Bordoli
Editor
Andrea Bordoli, Noemie Ruben
Original Music
Marco Guglielmetti, Andrea Bordoli
Director
Andrea Bordoli
Andrea Bordoli’s research and practice lies at the intersection between anthropological theory, film, and visual art. His works have been presented in academic settings and exhibited in film festivals and art spaces nationally and internationally. He is currently pursuing a research-creation PhD in Media Anthropology at the University of Bern, Switzerland. Since January 2022, he has been a visiting artist-researcher in the Anthropology Department of McGill University.