Two construction workers wander through a hybrid natural-industrial zone by day and night, exploring and discovering seemingly insignificant details. This experimental film is a walking tour through a possibly post-apocalyptic world where the familiar seems alien, invoking a sense of mystery and wonder towards the natural world and our relationship to it. It is a slow, totally visual work with phantasmic nighttime sequences and attention to the tactile (a piece of shale, moss, a shell) as the two men touch, feel, and listen to the world around them. Unsettling and eerie at times, the film never explicitly answers any questions, yet their journey is oddly compelling. With an atmosphere reminiscent of Tarkovsky’s Stalker, the film forces us to find our own interpretations of their explorations.
Community Partner
Luca Ruch, Olivier Matthey
Switzerland
2021
In French with English subtitles
Featured in:
International Shorts: Personal Journeys
The films in this shorts program are all about discovery. Beautiful and thought-provoking voyages of internal and external discovery that honour relations and history, while encountering stimuli that promote a new understanding of self.
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Three Colours: Blue
The first of Kieslowski's acclaimed Three Colours Trilogy, inspired by the French Revolutionary ideals of liberty, equality and fraternity and the French flag, the Tricolour. Blue stars Juliette Binoche as a young woman grieving her husband and child.
King Arthur's Night
John Bolton's film of Niall McNeil and Marcus Youssef's musical staging recreates Camelot at Harrison Hot Springs. It's a self-referential piece which joyfully reframes a classical narrative through the prisms of disability, inclusivity, and imagination.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Dazed and Confused
The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.
Credits
Producer
Delphine Jeanneret
Screenwriter
Andrea Bordoli
Cinematography
Andrea Bordoli
Editor
Andrea Bordoli, Noemie Ruben
Original Music
Marco Guglielmetti, Andrea Bordoli
Director
Andrea Bordoli
Andrea Bordoli’s research and practice lies at the intersection between anthropological theory, film, and visual art. His works have been presented in academic settings and exhibited in film festivals and art spaces nationally and internationally. He is currently pursuing a research-creation PhD in Media Anthropology at the University of Bern, Switzerland. Since January 2022, he has been a visiting artist-researcher in the Anthropology Department of McGill University.